Jonathan Silverman (“Weekend at Bernie’s”, “Brighton Beach Memoirs”) is Barry Thomas, and Barry is having a bad day… over and over and over again. That’s because Barry is caught in a “time bounce” – an atmospheric phenomenon – that occurs when his employer, the high-tech company Utrel, has an experiment that goes haywire. Spared from the effect of memory loss by an electric shock at the moment of the time bounce, Barry is the only one at Utrel who has the power to change the course of fate. And to Barry that means saving the life of the woman he loves, research scientist Lisa Fredericks (Helen Slater, “City Slickers”, “Ruthless People”). Tautly directed by Jack Sholder (“A Nightmare on Elm Street Part 2: Freddy’s Revenge”, “The Hidden”) and co-starring Academy Award winner Martin Landau (“Crimes and Misdemeanors”), “12:01” is a spirited sci-fi thriller you’ll enjoy again and again and again! “It’s Back to the Future” meets “Groundhog Day”!
1993 – Certificate PG-13 – American Film
Rating Details: Violence
6.0 out of 10
I really like tea, but I also drink a lot of not very nice instant coffee too. I drink the latter almost exclusively at work, as the caffeine helps me to do my shit. Without this stimulant, I’d not be able to deliver my corporate payload from a sufficiently high altitude to target my in-box effectively and render its population non-belligerent. Really. Like Bane in Batman (the version that hung about with Poison Ivy in the 1997 “Batman and Robin” film), each cup has the same effect on me as turning the ‘power dial’ on his head did on him. I shake a lot, growl a bit and look angry, my fingers a blur of motion on the keyboard, as I up the misspelling count to such a shocking level that even Bill Gates can’t work out what the hell I’m trying to write. Someone once sneaked a jar of decaffeinated coffee into the office and the whole organisation nearly went bankrupt. Conversely, at home I almost never drink coffee. About 15 years ago I bought a filter coffee-making machine when I had someone staying with me who liked coffee. Despite my ongoing battle with technology, it’s still fully functional. (I guess I don’t use it very often and it’s not a very ‘mission critical’ part of my lifestyle.) However, tonight I made myself some real coffee in it. It was very nice! Funny enough, it’s even nicer if you tip a load of Tia Maria in it. I wonder what happens if you try to get drunk on coffee?
The 80s and 90s were the golden age for ‘Made for TV’ films. This is one of them. It’s basically “Groundhog Day” with some sci-fi bolted onto it. It’s got Martin Landau in it, but I guess all those years of running Moonbase Alpha in “Space 1999” must have taken their toll on him, because he’s rubbish! Never mind phoning in his role, he didn’t even make contact. I think they just carried a cardboard cut out about from scene to scene. In fact the whole movie is pretty rubbish. However, despite its limitations it’s a fun, easy watch, ideal for when you can’t be bothered to concentrate on stuff. Our hero is Barry, who basically has to save the world, or universe, or something, from remaining stuck in the same 24 hour time loop. He’s a workshy loser in the personnel department of a company that’s doing research into faster than light travel; (don’t worry if you don’t understand, it’s really not that important). Now I’ve seen a lot of action heroes in my time with unlikely ‘day jobs’, but this is the first time I’ve come across one from an HR department. I now have a new-found respect for personnel staff, they kick ass. (Where I work we call them People Services, which I’m not sure quite conjures up the correct mental image to some.) Despite its many faults, this is a decent enough thriller/romance/comedy to waste 94 minutes of your life on.
The soundtrack does its job, collects its pay check and leaves.
Recommended for anyone working in human resources, or as a scientist carrying out cutting edge research into particle physics.
No cats, chainsaws or decapitations.
Top badass moment? Our hero finds himself breaking into his own employer’s offices. The security guards, already alerted to the fact, are polite but inept, as Bazza somehow manages to grab one of their guns out of its holster. Pretty impressive for an HR administrator. However, what’s really badass is the threat he uses to distract them as he’s doing so. “Stop giving me a hard time, because I’m going to have to come back here in the morning and make sure that you’re fired before we get here; and don’t think I can’t do it either, I’m in personnel.” A terrifying threat in these economically tough times.
Five years have passed since Freddy Krueger (Robert Englund) was sent howling back to hell. But now, a new kid on Elm Street is being haunted every night by gruesome visions of the deadly dream stalker. And if his twisted soul takes possession of the boy’s body, Freddy will return from the dead to wreak bloody murder and mayhem upon the entire town. When “A Nightmare on Elm Street” made a killing, horror fans shrieked for more. Soon the diabolic Freddy was resurrected with a vengeance, along with some of the most terrifying special effects ever to splatter the screen. Look for Robert Englund minus his Freddy face in the opening sequence. He’s a real scream!
1985 – Certificate: 18 – USA
Rating Details: Strong violence and horror
I’ve often considered Boxing Day to be a sort of inferior sequel to Christmas Day. Well, okay, to tell the truth I’ve never actually thought that at all. In fact, until about two minutes ago the idea had never even crossed my mind. But there I was, sitting here and trying to think of something to write about this film and life in general and it just popped into my head. I lead such a dull and monotone existence that it’s not always easy to come up with interesting stuff to say on the spur of the moment; there’re only so many things I can comment on about the weather and the amount of e-mail I get at work. I did the washing-up about an hour ago, but that didn’t really give me the sort of emotional connection with the subject matter I was really looking for. I do wish I could learn to rinse up a glass after I’ve used it though, it would really reduce the amount of washing-up I need to do quite considerably; but I’ve never been one for doing that when there’s a clean supply in the cupboard ready for use. Even when I was young I was like this. I guess I was just a hardcore rebel, fighting the system, looking to piss off The Man, running through the dark streets at night, giving the finger to society; or maybe I was just lazy. Anyway, as I was saying, I’ve often considered Boxing Day to be a sort of sequel to Christmas Day; and all I really wanted to point out is that sequels are generally not as good as the originals, which is a bit like Boxing Day and Christmas Day. Which brings us to this film.
Freddy’s revenge eh? Sounds like serious stuff and to be fair at this point in the franchise Freddy was still the evil ne’er-do-well he started out as in the first movie; his later penchant for clever one-liners had yet to really take hold. Trouble is, he spends most of this film trying to physically escape from inside some young lad, rather than terrorising loads of teens. True, he does take time out to turn up at a party and trash it, but most of the time he’s inside rather confused teen Jesse. Then again, this is the gay Nightmare movie, so it’s perhaps not so surprising after all. If you view the film from this prospective it makes a lot more sense; if you’ve never done that, try it and see. (By which I mean watching the film; I’m not suggesting everyone goes out and has a homosexual experience just so they can understand this film better, although if you want that’s fine too.) I did quite enjoy the school bus scene the beginning, which does a clever job of turning a normal trip on a bus into a, em, nightmare one. Then again, I could have just as much ‘fun’, albeit at a far lower speed, travelling on a Night Bus in London in the early hours of a Saturday morning. All in all it’s a pretty average film, but the two main characters are quite engaging in their own way and I suppose you have to respect the makers for trying a slightly different angle this time around. And it does have Fred Krueger in it of course.
Recommended for those that watched “A Nightmare on Elm Street”, obviously.
1 cat, no chainsaws or decapitations. Well I think it’s a cat but it’s not a very nice cat. I guess it suits Freddy though; I can’t really imagine him playing nicely with a cute kitten.
Top badass moment? It has to be Lisa Webber driving to the old steelworks in the middle of the night, to confront Freddie and rescue her crush Jessie. Not only is this a completely stupid thing to do under any circumstances, but he’s already told her he’s killed two people, including a mutual friend, whilst standing in front of her covered in blood; he’s also tried to kill her too, he’s trashed her home and when she tried to make out with him he wasn’t even into it. That’s true friendship for you and friendship is badass.