Paul Kersey has been retired from vigilantism for several years. Under an assumed identity, he’s adopted a new life as a teacher in a small town college outside New York. Paul is a changed man. He’s even fallen in love and become engaged to Olivia, a former fashion model turned industrial entrepreneur. But fate won’t leave Kersey alone. On a visit to Manhattan he finds himself caught in the middle of a street shootout. Then he learns that his fiancé is a victim of a protection racket run by her ex-husband mobster Tommy O’Shea. When Olivia goes to the district attorney for help, Tommy has her disfigured, then brutally killed. Once again, Kersey becomes the relentless vigilante. Only this time, instead of relying only on his .357, Kersey uses some creative technology to avenge his lover’s murder!
1994 – Certificate: 18A – American Film
7.0 out of 10
Went to see MxPx at the Camden Underworld last night. That’s the fourth time I’ve seen MxPx since 2005, although the last time was in 2008. It only has one of the original members left these days, at least as a touring band. I like the Underworld. It has a capacity of 500, the sound’s decent, the vibe’s good, there’s no crash barrier in front of the stage and the beer isn’t too extremely priced for a London venue; (it was £4.20 for a pint of cider yesterday, even though I do have the distinct feeling that the price varies from gig to gig). It’s the gig venue I go to most often. Unlike the 100 Club, the concrete pillars that’re in front of the stage (they hold the building above up) don’t seem to get in the way too much. It has a decent raised area around the dance floor too, with a railing that’s good for leaning on when you want to watch a band and don’t want to get your drink spilt. It even seems to have got some new signs outside recently, so you can actually tell it’s there! It was a lot of fun, even though I felt a bit ‘slow’. I think I’ve been to see too many old bands and reggae groups recently; I’ve forgotten how fast punk rock can be live. There were a lot of young women crowd surfing last night; clearly the new ‘no stage diving / crowd surfing’ poster stuck on one of the concrete pillars wasn’t having much effect. There was also a young chap with his mum there too, right at the front; it’s a 14+ venue but he didn’t look any older than 12 to me. He went for a surf too at one point. That’s one cool mum. It’s also been quite a while since I’ve seen so many happy people at a gig. Nearly everyone seem to be so pleased just to be there, which was rather nice. I can’t be bothered with miserable sods at gigs these days. Got wacked the mouth at one point in the most pit so have a bit of a fat lip today, but that’s okay. Charles Bronson does more than that to people in this movie. (This is probably just as well, as otherwise it would have been a very boring vigilante film.)
Another year and another of Paul Kersey’s relationships ends with a rape and/or murder. Some people seem to be born unlucky. This, the last Death Wish film, doesn’t break the cycle. Released in 1994, it’s a film that now looks and feels its age, in fact older; some of the story is a bit silly too. However, Tommy O’Shea is one of the ‘forgotten’ badass movie baddies. It’s worth watching for him alone. In fact it has quite a few good characters in it. Paul Kersey is a strange guy, even ignoring his habit of blowing away underworld scum. Here he is, engaged to Olivia Regent, who has a young daughter. Olivia is a ‘big deal’ in the New York fashion industry, (and about 30 years younger than him). Yet he doesn’t seem to know very much about her ex-husband or even to have met him before, yet he turns out to be ‘Mr. Big’ when it comes to extorting money through controlling the local fashion industry and Olivia’s company in particular; as well as being her daughter’s father. You would have thought they might have talked about him just a bit at some point; it hardly struck me as a whirlwind romance.
I didn’t much care for the soundtrack, but for the film itself it’s a great fit and helps to set the mood well. In that sense it’s a bit like rain; it’s a pain in the arse when I want to do something outside, but it helps make things grow.
This film has a great trailer. In fact, if someone ever makes a trailer about me, I want the guy who does the voiceover on this one to do mine.
Recommended for fashion designers and entrepreneurs, vigilantes, ineffective police officers and gangsters.
No cats, chainsaws or decapitations.
Top badass moment? Charles Bronson and one of the best ‘forgotten’ movies baddies ever, Tommy O’Shea, face off in the last Death Wish film. There’s enough badass action in this movie for you to need a rectal examination after watching it. Charles Bronson was 74 (I think) when he made this film. If he got involved in setting governmental pension policies, I doubt any old grannies would be dying from hyperthermia in winter because they couldn’t afford to put their heating on. That would be badass too.