Asae Ōnishi is the lead actress, starring as Aya Kito. 9th grader (third year of junior high school) Aya Kito collapses on the way to school. Dr. Yamamoto discovers that Aya has spinocerebellar ataxia, a fatal and incurable disease that handicaps the body. Aya’s mother and Dr. Yamamoto let Aya record in a diary to tell her story and to live her life to the fullest.
2005 – Certificate: Unknown – Japanese Film
7.5 out of 10
Last Friday was Halloween. It was also the hottest ever Halloween on record in England, 24C. Unfortunately I missed out on most of it as I left Cactus World and went to the Moon. Yes, really. Okay, to be more accurate I actually went to the Moon Club, although it is a long way from Cactus World and in a real foreign country too; a place called Wales. Sadly, it was to attend the final gig by the 8th best band on the plant, Dirty Revolution. After following the band for around five years and attending 28 gigs, everyone’s favourite alt-punk-ska-reggae-calypso-African-beats band was splitting up. Support was from the awesome 10th best band on the planet, the New Town Kings, but it really was Dirty Revolution’s night. Other than when the Undertones originally split up in 1983, I can’t think of a time when I’ve been so saddened by a band deciding to end it all. The reasons appear to be the difficulty of having a young family and trying to tour, along with its alleged inability to know how to get people to sing along to the “whoo-ooos” and “yeh-yeh-yehs” etc that populate a number of its tunes. I’d seriously considering ending it all too, but the fact that the band don’t seem to have fallen out with one another and that a quick look at my current Top Ten active bands indicates that all but two have split up and then reformed at some time or other. This gives me hope that perhaps, one day in the dim and distant future, songs about having a fat ass, not feeling fear and highlighting the fact that Skrewdriver were a bunch of wankers, will once again reverberate around venues everywhere. The Moon is a small club, with no air conditioning and sweat dripping from the ceiling. The band played a long set. I was at the front and could see a copy of the set list on the floor gradually being worked through; it was like waiting for the end of the world in some nuclear holocaust film, where all the characters can do is wait for the missiles to arrive, although before they do nothing seems any different to usual… and then all of a sudden it’s over. The gig was filmed for a DVD. One of the guys with a camera was menacingly close to where I was most of the time. I guess with a decent bit of software they’ll be able to edit out the fat, old bloke trying to dance. Joking aside, I do feel a genuine sense of loss. This film is about loss too. But before you read on, I suggest you listen to some proper good music:
This is a movie of a book that was then a TV series. Something like that anyway. The book (actually her diary) was written by a young woman called Aya Kitô. She was diagnosed with Spinocerebellar ataxia when she was 15 (in 1977) and wrote a diary about her life for as long as she could, until she died when she was 26. The film itself isn’t that great, although the actress who plays Aya is excellent. I suspect that compared with the TV series and the diary itself, a lot was cut out to make it an appropriate length for a film. However, there are a few really powerful scenes, often focusing on very small incidents; the one when Aya Kitô has to leave her school because it can no longer provide what she needs is pretty heart-breaking stuff. People often seem to say that stories like this are “life-affirming” and “uplifting”. No, they’re not. They’re sad and depressing. I can’t see anything uplifting in a story about anyone, never mind a young person, who’s tragically struck down by a terrible illness that they had no way of avoiding, however brave he or she might be. It’s just awful.
The soundtrack is mostly downbeat and piano driven. It fits the mood of the film well.
Movie Weather Forecast. Nope, still not started to take much notice of this yet. Soon, I promise!
Try as I might, I couldn’t seem to find a trailer for this film anywhere.
Recommend for doctors, carers and heartless school teachers.
No cats, chainsaws or decapitations.
Top badass moment? This is a true story about a young woman with a horrible illness. As her condition gets worse and worse, she never really stops trying to live her life as best she can, despite the increasing difficulty of doing so and the limitations of the physical world around her. That makes her truly badass.
Jennifer Garner (“Daredevil”, TV’s “Alias”) and Mark Ruffalo (“Eternal Sunshine of the Spotless Mind”) star in this hilarious flash-forward romance about a pre-teen girl who goes from geek to glamorous. With the help of some magic wishing dust, 13 year-old Jenna Rink (Garner) becomes 30 and gorgeous overnight, with everything she ever wanted, except for her best friend Matt (Ruffalo). Now, this grown woman must create some magic of her own to help the little girl inside find the true love she left behind.
2004 – Certificate: 12 – American Film
Rating Details: Moderate sex and drug references
8.0 out of 10
Went to see the New Town Kings last night at the Camden Underworld in London. It’s probably the best ska band in the country. (Quite why people listen to stuff like Coldplay when they could be listening to bands like the NTK entirely escapes me, but I think it’s probably just another symptom of the fall of humanity; the signs are all around us after all, this is just another scream of terror from the depths of hell into which we’re falling.) The gig was great, had a little bit too much to drink but managed not to be too uncoordinated or tread on too many feet. I really like going to gigs in the summer, as when you leave at the end in a sweat-soaked t-shirt, you don’t walk out into a dark night that has a wind chill that wouldn’t feel out of place in an Antarctic winter. I hate that and hanging about at Paddington Station afterwards, waiting for a train that’s either packed and you can’t get a seat, or freeing cold. (I know it’s partly my fault as I wear the same things all year, but cloakrooms are a pain so if I can’t wear it under ‘combat conditions’ or tie it around my waist, then it’s too much hassle. I’m sure regularly undergoing a freeze-thaw cycle is good for something; it’s good for some seeds anyway.) Have to say I’m feeling pretty fit at the moment. I remember seeing NTK a couple of years ago and I was knackered at the end. This time it didn’t feel that big a deal. I truly have the body of top sportsman! (Darts probably).
I can’t believe it, but this is the fifth comedy I’ve watch in a row. What’s come over me? Then again, I do choose the films I watch entirely at random, although there are a lot of complicated rules that govern this process, but at the end of the day it’s still pretty random. Anyway, let’s not consider how clichéd or stupid this film is. Let’s just consider it and its (I think for me) unique, pink DVD case. To deflect the fact and consequent embarrassment that comes from my sitting and watching a chick-flick on my own, I like to consider this as a movie with a hard science fiction storyline, that just happens to have some sort of romance built into it somewhere. We first meet our hero Jenna around the time of her 13th birthday, just before she travels about 27 years into the future, into an alternative time-line. So okay, the ‘time-machine’ consists of some sort of ‘fairy dust’ that we never get an explanation for, but that’s the nature of these things, apparently. Then in the future she does stuff and it all works out okay. Right? It is actually an excellent film, even though it’s rubbish too; I did feel myself getting emotional once or twice, (just a tiny bit of course). It also has one of those brilliant, so-crap-it’s-good dance routine scenes in it; Michael Jackson’s “Thriller” being the victim in this case. (You should check out all the people at IMDB seriously discussing how realistic this scene is and how poor the choreography is; and I thought I had trouble living in the real world sometimes.) Technically I like how this film looks and sounds on DVD.
This movie uses it’s soundtrack to strongly emphasise its 80s vibe. In this, thanks in part to the way the sound blasts out every time a song is played, it succeeds well. Even I have to begrudgingly admit that it’s not that bad.
Recommended for magazine editors, freelance photographers, 13 year-old girls and anyone who thinks 80s pop music is of any value; (yes, you there at the back, I can see you).
No cats, chainsaws or decapitations.
Top badass moment? Biach Tom-Tom getting her comeuppance. So she gets a drink spilt on her, a few harsh words and some work ripped up in front of her face; but when you’re 13 and have a social position to maintain in front of your friends, that’s probably not dissimilar to having your head blown off with a big gun by the unsung hero in the climatic final scene in a bloody action film.
Ever had the feeling you’ve been cheated? Last night I was at Paddington Station, coming home from seeing the New Town Kings (a great, 9-piece ska band) at the Camden Purple Turtle. 30p to use the toilets at Paddington Station. 30p! What especially pisses me off is the fact that I only had to do this as my train was delayed and the display boards didn’t say how long this was going to be for, (it was 20 minutes in the end). Was it really so hard for them to work that out? Didn’t they know where the train was and how fast it was going? Of course they did. Bastards; they waited until I’d paid my 30p before announcing that useful bit of information. Put together with my 65 minute delay coming into London that afternoon, (on a journey that’s only supposed to take 30 minutes), it’s a fucking disgrace that you’re then charged 30p for something you can do on the train for free, (well for no more charge anyway as you’ve already paid for it in your massively overpriced ticket), if it actually turned up on time. In fact, no one should have to pay to use a toilet ever, it’s not like it’s a luxury you can do without. And what’s more, I had to go and buy a cup of coffee for £2.00, to get some change to use the ‘little boys’ room’. So basically I paid £2.30 and waited around for 85 minutes on cold stations, just for the privilege of going to the toilet. What next? You’ll need a ticket for breathing in the air at a station? Well guess what? Last time I travelled on the same service I sat in First Class, even though I only had a Standard Class ticket. The train was totally bunged and some people couldn’t even get on it, so my travelling companion convinced me to make this futile gesture to The Man. (Not that we were alone, although we were the first of the proles to burst out of Standard Class; by the time the train left people were even sitting on the tables in First Class and in the luggage areas, it was so crowded.) So up yours Great First Western (or whatever it is you’re calling yourself this week). Next time I’m going to urinate all over the station concourse. And also, some random, young guy came up to me whilst I was waiting, shook my hand, asked if I knew him (I didn’t) and asked me if I liked people called Mohammed. What sort of idiotic question is that? What did he think I was going to say? That I hate all Muslims, especially ones called Mohammed? I just said that it depends on the person. Anyway, this seemed to suitably impress him and he went on his way. This film is about feeling someone else is having a better time in life than you are.
1991 – Certificate:15 – Belgum
This is a really interesting thriller, despite the fact that it comes from Belgium, which as everyone knows isn’t famous for anything, except weird chocolate and being boring. It’s about a guy, Thomas, who’s convinced himself that he was swapped for another baby (Alfred) when the hospital they were in after being born, caught fire and everyone was evacuated. As a consequence, he’s spent his whole life being jealous of Alfred’s apparently more successful one and feeling it should have been his. It’s like four films in one, covering him as a wide-eyed young boy, unfulfilled and underachieving middle-aged guy and bitter old man, as well as a fantasy version of his life with him playing the part of a private investigator / secret agent kind of person. The movie cuts between these and goes back and forward in time a lot, so you’ll probably need to write some notes if you want to keep things straight. Thinking about it today, I’ve realised that I entirely missed the point of whole parts of it, but that’s okay as it means it’ll be worth watching again. Despite it being quite a bleak sounding film, it’s actually quite fun in places and Thomas’s ‘solution’ to his ‘issue’ is quite unexpected. It also has a nice and positive cameo for his brother, who has Down’s Syndrome, who’s shown as the one person in it who’s content and happy with his life. Everyone else spends their time regretting what they did or didn’t do, lost and wasted opportunities. No wonder I liked it, it’s a film I can relate to. Yes, it’s a really worthwhile movie, so go watch it please.
Recommended for people who like high quality films that are a bit different.
1 cat and no decapitations. But poor cat; it’s all squashed at the side of the road! :-(
Top badass moment? Alice (Thomas’s sister) trashing the Virgin Mary in the church, after their father isn’t found quickly enough after an air crash. I’m not condoning such behaviour, but busting up a religious icon in a church is pretty badass.