Posts tagged “Parents

Look / Resolutions


Look  -  Front DVD Cover  -  US Release

There are an estimated 30 million surveillance cameras in the United States.  On any given day, the average American is captured approximately 200 times.  Every one of us is constantly being observed at our jobs, on the street, while shopping, and sometimes even in our own homes.  Every one of our secrets, lies, crimes and most private moments are all being recorded.  But who is watching us?  Rhys Colro (“Entourage”), Hayes MacArthur (“The Game Plan”), Jamie McShane (“24”) and Spencer Redford star in this award-winning drama from writer/director Adam Rifkin that takes the ultimate look at our ‘Big Brother’ world.  “This is a brash, darkly humorous and unsettling piece of work filled with startling scenes and fine performances,” raves Richard Roeper of Ebert & Roeper At The Movies.  “”Look” is a film worth seeking out!”

2007.  Certificate: R.  American Film.  Rating Details: strong sexual content, pervasive language, some violence and brief drug use.  8.0 out of 10.

Okay, it’s the start of the New Year so I feel obliged to make some New Year resolutions that I won’t keep.  So firstly, I’m going to lose some weight.  I have a pair of trousers (actually several) that I’ve never been able to use, so my target is to be able to wear them and not cause some horrible internal injury to myself.  I don’t exactly have a plan for doing this, but I’m sure it’s possible.  I guess ‘eat less’ is a good place to start.  Secondly, I’m going to not get behind with things at work.  I seem to perpetually be explaining why I haven’t done things and there’s only so many times I can use the “dog ate my homework” excuse before it starts to look a bit lame, especially as I don’t have a dog.  My target is to simply not have to explain my temporal inadequacies any more.  I don’t exactly have a plan for doing this either, but I’m equally sure it’s possible too.  I guess working ‘smarter’ is a good place to start.  (Well that’s what I tell my team whenever any of them whine about having too much to do; it doesn’t seem to work for any of them though.)

Well I must say, I wasn’t really expecting this film to be that great, what with its promise of crappy quality ‘security camera’ footage and their associated static camera shots; a bit like a found footage film but without the ‘shaky cam’, monsters, ghosts and up nostril views.  102 minutes later and I was really disappointed that it had ended.  It cleverly mixes up footage from lots of cameras to tell the stories (or partial stories) of a number of people, whose lives to some extent overlap.  Of course it does include murder, rape, ATM abuse, car crashes, bombs, child abduction, male strippers, sex (both gay and straight), office perverts and farts in elevators, but really, it’s all just about a lot of pretty mundane and dull people going about their day to day lives; so something I could relate to.  Well put together, this is strangely hypnotic movie and well worth watching.

There’s a lot of music used in this film, but most of it just sort of fades into the background.  Forgettable.

The trailer really doesn’t tell you a lot, other than it’s a ‘clever’ film that uses surveillance camera.  Try not to fall asleep.

Movie Weather Forecast:  Warm and sunny throughout.  It looks like it’s going to be a lovely summer!

Recommended for bimbos, petrol station attendants, teachers, bored office workers, parents and perverts.

No cats, chainsaws or decapitations.

Top badass moment?  Tricky; there’s not a lot of choice in a film filled with unprincipled losers dressed in a veneer of youth or respectability.   I guess the nearest we get to a hero is the guy working in the petrol station, who manages to report a couple of killers who call in for supplies.  Strangely he looks one of the most loser-like too.  Never judge a book by its cover.

Look at IMDB (6.6 / 10)
Look at Wikipedia
Look trailer at YouTube

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Godsend / Magnolia Hell


Godsend  -  Front DVDCover  -  UK ReleaseStarring screen legend Robert De Niro, “Godsend” is the story of an eight year old boy named Adam Duncan.  A kind, thoughtful and well-behaved child, he’s the apple of his parent’s eye, until one day he’s knocked down by a car and tragically killed.  With both parents totally grief-stricken, the mysterious Dr Richard Wells (De Niro) offers them another chance of happiness.  He can create a clone of Adam that will be identical to the child they lost.  Nine months later they have their child back.  Identical in every way, it’s like Adam had never left them.  He has his mother’s eyes, his father’s smile, but when he crosses the age at which he died, terrifying things begin to happen.

2004  –  Certificate: 15  –  American Film
Rating Details:  Language: once strong.  Sex/nudity: infrequent moderate.  Violence: infrequent moderate.  Other: moderate horror.
8.0 out of 10

Whilst I have a lot of sympathy for Jean-Paul Sartre’s view that “Hell is other people”, he failed to take into account their surroundings.  After this last week I now know that Hell is less to do with people, or fire and brimstone for that matter; in fact Hell is a large room painted magnolia.  In the same way as the Devil has a variety of different names, such as Satan, Beelzebub, Lucifer, etc, so magnolia disguises it’s presence amongst us as alternatives like light brown, biscuit, white with a touch of brown, beige, mushroom, wheat, taupe, fawn and harvest.  This week we moved our office at work, (or more accurately moved everything in our office to a different building to use as a new office; we didn’t actually dig up the existing one and put it elsewhere).  Moving is a stressful and spirit-sapping experience at the best of times, but when you have to paint every single surface, including the floor (about 500 square metres in all) before you leave, in three days, mostly magnolia, then you come to realise what pain is really all about.  The only respite was repainting the ceiling, doors, door frames, skirting boards and 12 radiators, white.  And painting something white on a white background in a weakly lit area isn’t exactly my idea of a fun day at Alton Towers either.  In fact the only facet of pleasure came from deciding which shade of gray to paint the floor, slate or frigate; and after magnolia, gray is the next worst colour.  I imagine there are more advanced species in the universe that have, in a similar way to smallpox, totally eradicated magnolia and grey from existence.  Magnolia is the distilled essence of evil.  However, for some reason there are many sick-minded and weak-willed individuals who appear to gain a sort of inner peace from using this colour.  Why?  What’s wrong with them?  Appearing initially to be the colour equivalent of elevator music, any close encounter with it soon dispels any pretence it has of being ‘neutral’.  It’s a vile, boring, sick, nauseating abomination, which is as attractive as having a squashed, pregnant cockroach smeared on your mouth; and then some.  And why is it always the cheapest paint you can buy?  The artificial distortion of the paint market in this way is clearly the work of some ungodly power.  If our media had any real balls, it would be investigating this bizarre and unwarranted proliferation of magnolia; it’s destroying lives.  In a similar way, this film is about something that goes against the laws of nature and scared the crap out of me too.

At its core, this is a thriller/horror about a disturbing, eight-year-old skinhead called Adam, who develops a mental illness of some sort.  The reasons for the latter are, unusual.  The rest of its runtime is spent faffing about with his parents and Robert De Niro, as they act and react to what Adam gets up to.  If you analyse the plot too much, you’ll come to the conclusion that some of it doesn’t really make a lot of sense.  Visually it’s not a very exciting film either; it looks a lot like it was ‘made for TV’ with a colour pallet that’s far too much like magnolia for my liking.  However, the acting’s pretty good and the story interesting enough.  The decision of the parents to have a clone of their recently killed son created is worthy of further study.  This part of the film could easily have been the whole story, but because it’s not it does get treated a bit superficially, which is a shame really.  What the movie does do really well is be creepy. I’m sure I aged a few years watching it, which is a somewhat alarming thought.  It’s one of the most unsettling films I’ve watched for quite a while.

The soundtrack is unmemorable, yet works well.  Job done.

Recommended for dodgy doctors, desperate parents, teachers, photographers and eight-year-olds that want to freak their parents out.  And clones of course.

No cats, chainsaws or decapitations.

Top badass moment?  We all know that a good teacher can change someone’s life, but in this film we also learn that it can literally save your own life too.  I sometimes provide training as part of my job and like most things I suck at it.  I’ve never managed to impart a single bit of knowledge to anyone and tying to do so has never saved my life or changed anyone else’s for the better.  So I guess being a good teacher is badass.

Godsend at IMDB (4.7 / 10)

Godsend at Wikipedia

Godsend at YouTube