Shy, unassuming teenager Mary ‘Mouse’ Bedford (Mischa Barton, “The OC”, “St. Trinian’s”) is enrolled at a prestigious all-girls’ boarding school. Upon arrival, she is welcomed by her two attractive and sexually adventurous roommates, the carefree Tori (Jessica Paré, “Wicker Park”) and excitable Paulie (Piper Perabo, “Coyote Ugly”, “The Cave”). Mary soon discovers that Tori and Paulie are embroiled in a passionate relationship, yet when Tori’s younger sister finds out and threatens to break the secret to her friends and family, Tori breaks off the relationship. Unable to deal with losing the other half to her whole, Paulie will do anything to get her ex-girlfriend back, even if it means risking her own life… A deeply moving and acclaimed film from the director of the award-winning “Emporte-Moi”, Léa Pool’s “Lost and Delirious” features a trio of young and talented actresses burning up the screen years before they went on to break Hollywood.
2001 – Certificate: 15 – Canadian Film
10 out of 10
I closed my bedroom window yesterday. There’s nothing especially unusual about that, except I did it in the morning and I wasn’t going out anywhere. The click of the handle had a certain finality about it. As I repositioned the pot plants on the sill, I was struck with the thought that this was probably the last time I’d do so for many, many months, as the weather has got a lot colder in the last few days. The final closing of the year is one of the Five Signs That Summer Has Ended and that the winter, with all its months of gloom, damp and cold, is fast approaching. Winter sucks; like old age, it has almost no real benefits. All that rubbish about those crisp, bright, winter days. Bollocks. They’re bloody cold, only last five minutes before the sun sets again and coming home from gigs at night soaked in sweat is a truly miserable experience. It’s going to be especially hard to cope with this year, as we actually had a really lovely summer. The carefree, happy days are at an end; fast approaching is the vindictive malevolence that is winter. The season of Hell is nearly upon us. And as for autumn, it’s just the rubbish bin of summer, containing the dead leaves and trash of good times past. This film is also about the passing of time, the loss of a relationship and an inability to cope with it.
I love this movie. If I had a Top 20 list of films, this one would probably be in it. On first impressions it looks like it’s going to be a bit crappy and should only appeal to me because of its girl-on-girl action. Set in a posh girls’ (very liberal) boarding school full of rich kids in Canada (so there’s not a lot there for me to relate to), the first 30 minutes or so are pretty mundane. Yes it’s got girls in school uniforms and the main characters are in a same-sex relationship, but other than that it’s pretty forgettable. But then it starts to get interesting… This is a dark movie. There’s a subtlety in it that only becomes apparent when you think about it afterwards. It’s occasionally a bit melodramatic and the odd bit of dialogue doesn’t quite work, but it’s wonderfully acted and has a number of genuinely heartbreaking moments in it. The use of Shakespeare and the hand-rearing of a Falcon as metaphors for the plot, are wonderfully interwoven into the story too. The character of Paulie is so well written. It’s quite strange considering she doesn’t superficially have anything in common with me, but I so totally ‘got it’ in terms of what she was going through. I guess emotions and feelings aren’t very gender, age, culture or sexuality specific. (It probably also means that I’m as messed up as she is and one day I’ll probably take it out on the world.) There aren’t a lot of characters from films or books that I can fully relate to and understand, but she’s one of them. Seeing her gradually lose the plot and take more and more bizzare actions to try to change the unchangeable, felt uncomfortably familiar. Despite her acting like a total loser a lot of the time, there’s a strange kind of honour in Paulie’s behaviour that goes beyond what she does and its consequences. Everyone should watch this movie. And if you’re one of those people who really can’t accept same-sex relationships then just ignore it, as other than on a superficial level (and as a huge plot contrivance) it’s really not that important to the feel of the film.
The ability of this movie’s music to write words where there are none, without dominating the visuals or attempting to drag (rather than lead) the emotions, is really well done. The mood shift provided in the scenes relating to the Falcon are very effective too. And any film that features any music by Ani DiFranco can’t be bad.
Recommended for anyone who’s ever been dumped by someone they really, really, really loved.
No cats, chainsaws or decapitations.
Top badass moment? There’s something very noble about doing something you know is going to fail and make you look really stupid, especially when it’s not funny. You know you’re about to do it but still go ahead. It’s probably got less to do with getting what you want, than demonstrating to yourself that you tried and remained true to your beliefs. It’s ultimately futile and pretty pointless, but very, very badass. And very Klingon too.
Heck and Rachel are a young London couple about to embark on a new life together when an unexpected meeting turns Rachel’s world upside down. What follows is the romantic, humorous and sometimes poignant journey familiar to anyone who has ever fallen in love at first sight. And what if you discover that the one person you are destined to spend the rest of your life with might not be your boyfriend, but a perfect stranger? “Imagine Me & You” shows that the path to true love isn’t always straight…
2005 – Certificate: 12 – British Film
Rating Details: Moderate sex references and strong language
8.0 out of 10
Yesterday I went to see “Oblivion” at the cinema. Intelligent sci-fi riddled with clichés. Basically it’s Tom Cruise with an attractive woman on the back of his motorbike and flying around beating bad guys. Afterwards I went for a drink in three pubs. I don’t often go for a drink these days. This is partly because I have no friends, partly because the ones I do have generally have the sense to live a long way-away from me, partly because it’s expensive, fattening and not good for you, and partly because I don’t think they ‘make’ pubs for people like me; I’m clearly not a demographic worth targeting. Take yesterday for example. Didcot is a town that’s not known for much, other than a railway museum and a power station; and the power station has now closed. Broadways, a pub in the centre of the town, was almost empty and was the sort of place that if a fight broke out in it, they’d just pick up the broken glass and sweep the bodies to the side so no one tripped over them. The Prince of Wales, opposite the station, was full of late teens and 20-somethings getting tanked up for a night on the town. The Ladygrove, which was also full, is located on a ‘new’ estate and caters for “where did my life go wrong” 20 and 30-somethings with screaming kids in tow, eating anonymous pub-grub under searingly bright lights. None of them had any decent cider. Broadways caters for the working-class and underclass that the rest of us try to pretend don’t exist; the Prince of Wales for those that still think they can get on in life; and the Ladygrove for the same people as the Prince of Wales but ten years later. I think I preferred Broadways, in the same way I’d prefer to break my arm than lose a finger. There’s a scene in a pub in this film; actually there might be a few, but I can’t remember now.
London doesn’t really get well represented in films. It seems the north and west are full of ‘beautiful people’ who behave like Hugh Grant, the east gangsters and immigrants and the south chavs. Nowhere else exists. This movie is set in ‘the north’ of the city. It’s also a rom-com. So you now know most of the plot and what the characters are like. Fortunately, this film has two elements that manage to drag it out of the cesspit of predictable, bland, anonymous, chick-flicks. Firstly, it’s actually very funny. The script works well and all the characters manage to be suitably engaging. Secondly, it provides a bit of a plot-twist that gives it an element of originality, (although it quickly becomes very predictable again, so it’s not going to provide anyone with much of an insight into anything). This is much more of an out-and-out comedy that a romance, which does it no harm at all. It’s very watchable and fun. And let’s not forget it’s got Giles (the man behind Buffy) and Sarah Connor (of Terminator fame) in it. And one more thing, it’s one of those films where the seasons don’t seem to follow the narrative; there’re an awful lot of autumnal leaves on the trees, considering most of the film is set in the winter. Because of my job I notice these things. Our climate isn’t quite that fucked up, yet.
Music; exactly what you’d expect. Exactly.
Recommended for people who like comedy who can manage not to retch at the more corny rom-com elements of it. Not so good for anyone looking for a romantic weepy.
No cats, chainsaws or decapitations.
Top badass moment? Yelling out “You’re a wanker number nine” while standing on the roof of a car, in a traffic jam, outside Bank Station in London, does it for me. It’s interesting to note that if this film was set in New York, there’d be an endless honking of horns and abusive taxi-drivers shouting out things; in London, hardly a sound. Our traffic jams are so much more civilised! I’m not entirely sure how “you’re a wanker number nine” would translate either.