Susan Harris is alone in the house when, suddenly, doors lock, windows slam shut and the phone stops working. Susan is trapped by an intruder… but this is no ordinary thug. Instead, the intruder is a computer named Proteus, an artificial brain that has learned to reason. And to terrorize. In “one of her finest, most vulnerable performances” (Danny Peary, “Guide for the Film Fanatic”), Julie Christie plays Susan in this taut techno-thriller based on the Dean Koontz novel. Packed with suspense, surprise and special effects, “Demon Seed” follows Susan’s desperate attempts to outmaneuver and outthink her captor. Then Susan learns what Proteus wants: its own child, conceived in her womb and destined for domination.
1977 – Certificate: 15 – American Film
Rating Details: Moderate sex and violence
6.0 out of 10
My wisdom tooth is getting more and more painful. :-( I’m waiting for an ‘emergency’ admission to have it sorted out at the hospital, but it’s been over two weeks now and there’s still no sign of an appointment. It’s lucky I’ve not been attacked by a chainsaw wielding alien and have all my insides hanging out. I can’t open my mouth properly so eating has become a rather frustrating experience, although to put a positive spin on it I’m now an expert in flat shaped food. I’m also losing some weight as I just can’t be bothered with all the effort of cutting things up small enough to eat them. I feel like I’m trying to feed some poor little baby animal that’s lost its mother in an oil spill or something. To make matters worse, I went to see the brilliant “Imperial Leisure” last Friday and now have a horrible cold too; and yes, it’s the worst cold anyone’s ever had ever. I don’t think I’m long for this world…
This is a film about a randy computer that’s got a crush on Julie Christie. Julie meanwhile has just been dumped by her husband Alex. Why, for goodness sake? He’s married to Julie Christie, animal rights campaigner and star of the 1967 version of “Far from the Madding Crowd”. What was he thinking? (Although to be fair, her character does come across as about as interesting as amateur golf.) The irony in all this being, he’s more interested in developing his new computer, Proteus IV, than bothering with her anymore. And of course it’s Proteus that turns out to have the libido issue. Ha, what an idiot. He actually designed and built his own competitor. For a supposedly intelligent man, that’s an awe inspiringly stupid thing to do. Even I’ve never managed anything on quite that level. So leaving her alone in the house, (which in a nod to the future of home automation, Proteus seems to run), the latter tries wooing her. Now I have a theory about things here. I personally feel she had the hots for Proteus too. Being a 70s mainframe computer with remote terminals, the best Proteus can do in terms of shaking his ass, is control a wheelchair with a mechanical arm attached to it. With this he chases Julie around the house, before catching her and tying her down to a table in the lab in the basement, so he can have kinky sex with her. (I’ll come onto that bit in a minute.) So there’s Julie, a fit woman in her own home, a large detached house. She really couldn’t escape? Really? She couldn’t outrun a remote control wheelchair? Sadly the plot holes are gigantic; she could easily have simply climbed through one and escaped. We never do get to see how the wheelchair manages to get up and down the stairs either, but anyway, back to the kinky sex. So, there’s Proteus, the bondage obsessed, dirty old man computer, who’s got the mechanical arm to tie the charming Julie tied down with a few bits of cable, whispering sweet nothings to her about showing her stuff no human’s ever seen before. (The mind boggles.) In her defence, after all that flirting with the wheelchair, Julie does seem to realise that things have gone a bit far and perhaps taking a shower in full view of one of Proteus’s camera wasn’t the best thing to have done. (There really wasn’t anything wrong with her ass either, so don’t tell me all the messing about with it in the bathroom was for any reason other than to access Proteus’s hard drive.) Anyway, I don’t want to spoil the good stuff, but Julie gets pregnant, just in time for her estranged husband to return and fight what looks suspiciously like a giant D20 “Dungeons and Dragons” dice. “Demon Seed” is a sci-fi movie, so obviously it’s also got a laser in it and a geeky guy who works in a lab too. Shortly after this film was released “Star Wars” came along and sci-fi was never the same again. The End.
Sounding exactly like it’s escaped from a bad, 50s B-Movie, the soundtrack is somehow everything you’d want and then some.
Pompous and faintly ridiculous, the trailer is a great example of how serious science fiction films’ trailers used to be; before “Star Wars”.
Recommended for computer scientists, home automation fanatics and anyone who ‘likes’ their PC/laptop/smartphone just a little too much.
1 decapitation, no cats or chainsaws. The Dungeons & Dragons dice somehow manages to cut someone’s head off. Weird.
Top badass moment? Proteus is one sick puppy. Nevertheless, he’s also charming, highly intelligent, virile and (I’d imagine) pretty well off too. In many ways he wouldn’t be a bad catch for someone like Julie Christie. So I guess the kinky sex just wasn’t for her. Having a partner that’s not what others expect him/her (or it) to be, is definitely badass.
Jiro (Keisuke Koide) meets a mystery girl (Haruka Ayase) on his birthday! One year later, they meet again. It is a shock to Jiro as she confesses and turns out to be a cyborg from the future that Jiro has sent to him as a present! Getting along with this mischievous cyborg girl friend, Jiro falls in love but she has no feelings at all. All of a sudden a disastrous earthquake his Tokyo, the cyborg saves Jiro’s life by sacrificing herself and the ultimate mystery of cyborg is going to be revealed.
2008 – Certificate IIA – Japanese Film
8.5 out of 10
Because I’m a fairly stupid person I sometimes buy DVDs or BDs (Blu-ray discs) that I’ve already got a copy of. I also occasionally upgrade from a DVD copy of a film or TV series to a BD one, or buy an alternative version because it’s longer or uncut. This means I gradually accumulate a supply of discs I no longer want. I used to sell these on eBay, but mostly I can’t be bothered to anymore so just get rid of them via MusicMagpie instead. The latter doesn’t pay a lot, but it’s quick and easy to dispose of them this way. Sadly, its home collection service is, (from my first attempt to use the latter), entirely shit. I waited about at home from 8:00am to 8:00pm on the relevant day for someone to come and collect my parcel, but no one came. It’s not like I live in an invisible castle floating in the sky, stuck in a parallel reality and out of phase with the regular universe, protected by a high (electrified) fence, a pack of hungry attack dogs and a set of visitor traps that even Indiana Jones would think twice about tackling; I live in a flat with a clearly marked buzzer on the outside wall by the door. And in a rare bit of good, British urban design, there’s always space outside to park too, without fear of getting a ticket or being clamped. I e-mailed the company a couple of days ago to find out what the problem was, but I’ve yet to get a reply.
Despite it’s time-travelling, disaster, sci-fi, slapstick, action-movie clothing, this is really a romantic comedy, the sort where nothing else really has any real world consequences outside of the two main characters. Get caught in the middle of a restaurant shooting? Big Deal. Doing your Terminator ‘thing’ in the middle of a busy road junction? So what? Your capital city gets destroyed? Whatever. It’s another one of those movies that only Japan seems to be able to produce, where this eclectic mixture of genres not only works together but feels entirely normal. In a damming indictment of our screwed up, star gossip culture, our hero, the nice but exceedingly dull and boring student Jiro, has become a bit of a celebrity in the future. This is enough for someone to want to travel back in time and meet him. Or something like that anyway. The special effects are decent enough and the story is fun in its own way, but it’s a film that gets its kicks from frequently and suddenly changing its mood. The scene where they travel to Jiro’s home village is really rather touching. It also has a dance-off scene that’s pretty cool too. The ending is a bit of muddle, as if the writers were suddenly struggling with how to sort out all the loose ends, but it’s a fab and fun mash-up of a movie, full of little Terminator references and well worth watching. Haruka Ayase is very cute too; not at all like Arnold Schwarzenegger.
The soundtrack varies from forgettable to okay, with the use of some pop songs filling in the gaps. J-pop is an interesting beast…
The trailer isn’t bad, although it does underplay the ever-changing mood of the film. The use of some questionable music over the action probably doesn’t help; then again, maybe it’s very appropriate given the ‘atmospheric turbulence’ of the movie. For some reason, YouTube has cut the second line off the subtitles; it probably doesn’t make a lot of difference though.
Recommended for dull students, both geeks and nerds, cyborgs (and other artificial life forms) and teachers who like to throw bits of chalk about. (Does that still happen these days or is chalk now classed as an offensive weapon?)
1 cat, no chainsaws or decapitations. A body does get severed in two though.
Top badass moment? I’m not sure someone/something that’s programmed to be what’s basically badass can actually then do anything that should count here, which leaves us with wusey Jiro. Sadly the latter fails to do anything remotely badass for the entire movie, which leaves me with a bit of a constitutional crisis. I’ll need to consult a solicitor before I’m prepared to comment further. Raoul, Jiro’s pet cat (not the lizard), puts in a couple of excellent performances; his eating from the dish was especially nuanced and controlled.
In a post-apocalyptic, nuclear-scarred future, the world has become a radioactive, neon drenched, industrial wasteland, populated by the disenfranchised and the demented. Amidst the dust and decay of a poisoned landscape, a Zone Tripper manages to salvage a disembodied robotic head. But what is initially mistaken for discarded techno trash is in fact the mechanical remains of the M.A.R.K. 13, a merciless killing machine programmed to activate, exhilarate and exterminate. After ending up in the isolated apartment of an introverted artist, the M.A.R.K. 13 re-assembles itself for an eye-gouging, chainsaw-wielding, body-drilling, skull-crushing rampage, where no flesh shall be spared. Directed by Richard Stanley (“Dust Devil”), “Hardware” features a face pounding soundtrack and appearances from rock legends Iggy Pop, Motörhead’s Lemmy and Fields Of The Nephilim’s Carl McCoy. Available for the first time as a Special Edition, “Hardware” remains a highly original, mind-melding, Cyberpunk, horror/sci-fi cult classic. So plug-in, turn on, download and prepare to have your inner circuits pulled out and re-wired.
1990 – Certificate 18 – British Film
Rating Details: Strong bloody violence and sex
5.0 out of 10
I had a water meter fitted yesterday. When I went to make a cup of tea afterwards I got soaked by a sudden explosion of water out of the tap, as the supply sorted itself out in the pipes. Nice. I currently pay about £330 a year for water rates, so I’ve convinced myself that by having a meter fitted, after just a few months I’ll have saved enough money to retire and go on that round-the-world cruise I’m always promising myself. (Well I know the maths doesn’t really add up and I’d probably get bored after about five minutes on a cruise, but it’s the principle I’m trying to establish here.) Who’d have thought that saving the planet could be so profitable? I wonder how long you can go for and not flush a toilet? A week? Well it works for washing up… In this film, water seems to be in pretty short supply; they should all have got meters fitted.
It’s the future, after some unspecified nuclear incident has taken place. We join a guy who’s collecting junk in a desert. This guy then sells some of the items he’s found in the sand, which include a bust-up robotic head, to a chap called Mo. Mo, who’s obviously a true romantic, takes it to his girlfriend’s place in the city for her as a Christmas present. Despite the fact that Jill’s more than a bit pissed off with him for being away so long, his gift has the desired effect (if you know what I mean). She’s a sculptor, so she decides to put it into something she’s working on. Unbeknownst to them, the head was part of a secret government war-bot programme. Oh dear, it comes back to life and rebuilds itself from common household appliances; (I hate it when that happens, it really interferes with your day and the cost of replacing everything afterwards can be quite considerable). It then starts killing people; although luckily it never really gets out of her flat. Truth be told, this is a pretty crappy film. It has a few interesting cameos, such as Iggy Pop as a radio DJ and Lemmy as a taxi-driver, plus some interesting musical choices, but most of the time it’s too dark or orange, or both, to make watching what’s going on a rewarding experience. Even on Blu-ray it was still a murky mess. One random sub-plot revolves around a pervy neighbour, who spies on Jill with a telescope whilst he ‘enjoys’ himself. Unfortunately, we never really get to see what he finds so inspiring, thanks to the Anadin-sponsored visuals. If ever there was a bad advert for sun beds, this film is it; there’s more orange about than in an episode of “Bargain Hunt” with David Dickinson. The times I found myself thinking, “Jill, put the bloody light on, for God’s sake”)… For all the time I spent in her apartment, I never managed to gain any sort of understanding as to its layout. How hard can it be to find a large robot in a flat? It’s not all bad by any means and it does have some interesting elements, but overall they just don’t overcome the ‘over-stylish’ look of the film.
One of this movie’s saving graces is its soundtrack. From traditional American folk to Public Image Ltd. we get a range of music that does its best to make up for what we can (or more accurately can’t) see. “This is what you want, this is what you get.” I don’t think so.
Recommend for people who like cult sci-fi. And it is a British, low-budget sci-fi film from 1990; can you even name another?
No cats or decapitations, plus one ‘built-in’ chainsaw. Someone does get sliced in two though, by a front door closing on him. (I don’t think you’d get one that tough from B&Q.)
Top Badass moment? To be honest she had the chance to get away on more than one occasion, but no one likes their place to get trashed by strangers. Reluctant hero maybe, but Jill’s defence of her home is most definitely badass. Not many people manage to really break a baseball bat over anyone’s (or anything’s) head. I hope her insurers will take all this into account when they come around to assess her claim. I wouldn’t want to be a Jehovah Witnesses in her neighbourhood.
“Listen, and understand. That terminator is out there. It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead.” That reminds me, we’ve been going through a bit of a restructure at work. It’s not been a hugely enjoyable experience. I guess in the long-term it’s the ‘right’ thing to do, in the same way that the large-scale, post-war slum clearances in areas well-known for high levels of social need, led to their replacement with modern, high rise flats, which are now well-known for, em, high levels of social need, (okay so it’s probably not the best analogy on a wide range of levels), but it still sucks. By some strange quirk of fate I seem to have survived this process and now find myself in a ‘job-enriched’ environment. Considering my almost total lack of ambition and ability this is indeed a strange turn of events. At the moment I’m finding I’m saying good-bye to a lot of colleagues, some of who I’ve known for years and have so much respect for and many of whom have probably helped me cover up my singular lack of talent in the past. (What can I say? The only thing I’m really good at is bigging myself up on the back of others’ hard work.) It’s all pretty depressing though. I want to be angry about it, but I can’t identify anyone or anything to get angry with, which makes it all even more frustrating. Maybe what’s going on at work now is a bit like this film and it will spawn a hugely popular, multi-million pound franchise that goes on for years and years. I look forward to the time when I walk into a room and people look at me in awe, huddle together in groups and in hushed tones say to one another, “you know who he works for, don’t you?”
1984 – Certificate: R – United States
I love this film! It’s certainly one of my 50, all-time favourite movies and a genuine classic. The theme tune is iconic too. Arnold Schwarzenegger is so perfect for the part of the Terminator and it’s great to see someone in a film who looks after his body as well as I look after mine. Honestly, at times it felt like I was looking into a mirror, which was a bit disconcerting and I have to say did spoil the film slightly for me. I think Arnie’s a bit taller than I am though. I’ve seen this movie loads of times, but this was my first viewing of it on Blu-ray. Reference material it’s not, but it did look great; a lot more colour and detail than I can remember from watching it on DVD. It’s always been a gloomy, muddy looking film, but the format does manage to clean up the details a lot. The effects still look good most of the time too, not bad for a film that’s 28 years old. It doesn’t look especially dated either, well as long as you don’t look at Sarah Connor’s hair.
Recommended for everyone, even those who don’t like this sort of film. Actually, those sort of people should be forced to watch it.
No cats and no decapitations. The Terminator’s head does get a bit stripped and squashed though.
Top badass moment? If any film offers a lot of choice, it’s this one. Anyway, I’m picking the “I’ll be back” scene. Be honest, who hasn’t wanted to do something like that when you haven’t got your way in a shop? Well okay, then going on to slaughter everyone that works there is probably a bit over the top, even for me, but trashing the place with a car certainly makes a point about the customer always being right. Consumer power at its best!