Kaisa (Lena Headey), a beautiful and feisty Scottish woman, finally has her life together, at least until her mother (Charlotte Rampling) asks an enormous favour; to bring back to her Kaisa’s estranged larger-than-life father (Stellan Skarsgård). The two of them, father and daughter together, set out on a wild, brutally funny yet heartbreaking journey, which takes them through their emotional past before reaching their ultimate destination.
2000 – Certificate: Not Rated – Norwegian / British Film
9.0 out of 10
Despite being a lowly nobody at work, a combination of staff sickness and annual leave yesterday meant that all the more senior staff with direct line management responsibility for me weren’t in. Taking advantage of my self-appointed, temporary CEO role, I finally got to order that Aston Martin V12 Vantage S I’m always on about. I knew my recent ‘job enrichment’ as “An Authoriser” would come in handy. With this new company car, I’ll soon be making better use of my valuable time, by utilising its top speed of 205m.p.h. (I spent over six hours driving today, mostly on the M25, covering a little over 200 miles in that time; it would’ve only taken me an hour in the Aston.) I haven’t been able to find out much about it fuel consumption or exhaust emissions, but luckily it’s got a catalytic converter so I’m sure it’ll be really good for the environment too. I can’t wait for it to be delivered. I imagine the optional, 1000W Bang & Olufsen BeoSound with ICEpower technology audio system I’ve included in my order is pretty good as well. This film features a decent car, but it’s not an Aston Martin. I should have watched a James Bond movie instead.
I’ve been to Aberdeen. It’s gray, depressing and bloody cold. It’s so cold even ice tries to avoid the place. The fact that many years ago I got dumped there by the most beautiful woman on the planet (although with hindsight she was clearly way out of my league), has no bearing whatsoever on my opinion of the place. I’m nothing, if not a consummate professional when it comes to giving factual, well-balanced information about things. (I remember the two of us building a huge snowman in a park. A short time later as we walked past it again, we saw some little bastards abusing it. They had just pushed its head off, in what turned out to be a remarkably accurate metaphor for our future together.) This is an amazing film that features the relationship between a father and daughter, two emotionally damaged individuals; one an alcoholic and the other a successful solicitor who’s seemingly lost the ability to love anyone. It’s essentially a road-trip movie, in which the daughter has to go from London to Norway to collect her father and then transport him to Scotland. I like films like this, as they me feel better about myself. Lena Headey and Stellan Skarsgård, who seem to turn up in quite a few films I watch, both put in wonderful performances and manage to make their characters sympathetic and somewhat endearing, despite their not being very nice people. I really did end up caring about what happened to them. If it has a fault, then it’s that some of the situations they run into on their journey just seem a bit too random and strange. This is an emotionally tiring film to watch, but worth every second. The trailer really doesn’t do it much justice.
To be brutally frank, the soundtrack’s unlikely to result in a circle pit in your living room. However, I don’t think that was the intention. Like most things about this film, the music works and really enhances the scenes its used in.
Recommended for alcoholics, solicitors and dysfunctional families.
No cats, chainsaws or decapitations.
Top badass moment? I’ve never been an alcoholic; I don’t have the time or the money. So I’ve never experienced what it’s like. Tomas is an alcoholic and spends most of the film very drunk. However, he does manage to go into a bar at one point and drink just water. I’d imagine that’s pretty hard to do when you’re an alcoholic. That’s badass.
Aberdeen at IMDB (7.1 / 10)
Aberdeen at Wikipedia
Aberdeen at YouTube
In the early 1970s a naïve young girl, Bess (Emily Watson – 1996 Academy Award Nominee – Best Actress), living in a small community on the north-west coast of Scotland, falls in love with oil-rig worker and man-of-the-world Jan. Despite local opposition they marry and live out a brief but intense love life. Jan returns to the rig, whilst Bess counts the days to his homecoming sure that their love is made in heaven. When an accident renders Jan paralysed he is worried that Bess will cut herself off from a normal life. Realising that he will be bedridden, he convinces her that she will aid his recovery by taking a lover and relating to him their sexual acts. “Breaking the Waves” with its electronic seventies soundtrack (featuring Deep Purple, T-Rex and Elton John) is a truly astonishing film, adored by critics and audiences alike.
1996 – Certificate: 18 – Danish Film
Rating Details: Language: occasional, strong. Sex/Nudity: occasional, strong. Violence: once, moderate. Other: drama, religion, marriage.
8.5 out of 10
I had a good day today. To start with I woke up bright and early and reasonably ‘with it’ from the get go. Then I walked into work and did a load of stuff that needed me to actually give it some thought; (complicated grown-up things, you know what I mean). Sometimes I go to work and I wonder whether I’ve tarnished my god-like status in any way, especially when I find myself cutting the stamps off envelopes to (ironically) give to charity, straightening the leaflets in their dispensers for the sake of it, or laminating things just because it’s fun to laminate. (And yes, I really did do all these things today too.) However, any doubts as to my usefulness were swept away by my fundraising prowess, as I got a letter telling me I’d manage to get a grant of £8,891 from the Big Lottery Fund. Like a lion hunting prey to feed its hungry family, (or perhaps more appropriately a scruffy yappy dog with a bone it won’t give up), I didn’t allow myself to be put off by my two previous attempt to get money for the same project from the same funder. This was third time lucky. Like Captain Kirk, I don’t believe in the No Win Scenario; however I do believe in flogging a dead horse, however unvegan that might appear. The people of Eastleigh, Hampshire, will soon be worshiping my very footsteps, as the money transports them to a whole new plain of existence, enabling them to finally escape the trauma of Chris Hume tying to get himself a presenter’s job on “Top Gear”. I wonder where they’ll erect my statue? In complete contrast, this film is crushingly depressing.
Over two and a half hours long, this is a drama about love, belief and God. “Dude, Where’s My Car?” it isn’t. A nihilistic nightmare, it features the slow destruction of a young woman (who appears to have some sort of undisclosed mental illness), trapped between her love for her husband and her love for God. Set in the Highlands of Scotland, one of the most beautiful places in the world, it manages though a combination of miserable weather, a washed-out, grainy picture and an overbearingly dismal atmosphere, to make it feel like the bleakest place on Earth; even the happier scenes feel like they’re caught in a membrane of gloom. Emily Watson puts in a stunning performance as Bess. It’s well worth watching the whole film for her performance alone, before you go off and slash your wrists. Talking of the ending, it’s somewhat bizarre. A great film and essential viewing.
Set in the first half of the 70s, this film includes some curiously long chapter interludes that feature music from the period. It tries hard to pick some good stuff out, but it can’t hide the fact that pop music at the time was pretty dire. However, when inserted into this film, it really does help to set the scene and drag you down to its level.
Recommended for religious zealots, Scots, God, doctors, nurses and people who work on oil and gas rigs.
No cats, chainsaws or decapitations.
Top badass moment? At Bess’s wedding reception, a somewhat drunk Terry (one of ‘the lads’) crushes an empty beer can. Not to be outdone, her grandfather squeezes and breaks a glass in his hand, cutting himself. Considering this is a deeply religious guy who appeared to live in the last century, not have a sense of humour and was lukewarm at best with respect to the wedding, this did seem rather bizarre thing to do. Why? I’ve no idea if it was a joke, a threat, or what? However, confounding people’s expectations is badass.
Breaking the Waves at IMDB (7.8 / 10)
Breaking the Waves at Wikipedia