Feeling that the future holds nothing close to what the past once did, Admiral James T. Kirk begins to believe that galloping around the cosmos is a game for the young. Yet on a routine inspection of the U.S.S. Enterprise, Kirk’s Starfleet career enters a new chapter as a result of his most vengeful nemesis: Khan Noonien Singh, the genetically enhanced conqueror from late 20th-century Earth. Escaping his forgotten prison, Khan sets his sights on both capturing Project Genesis, a device of god-like power, and the utter destruction of Kirk.
1982 – Certificate 12 – American Film
10.0 out of 10.0
Yesterday was Wednesday; time for another trip to the dentist. My dentist (who for some reason reminds me more and more of a vampire each time I see him), seemed in a slightly better mood this week; (I guess he must have had a good feed of virgin’s blood or something). He still didn’t want to remove my misbehaving wisdom tooth though. Instead he gave me even more antibiotics. In this film Khan says to Kirk, “I’ve done far worse than kill you, Admiral. I’ve hurt you. And I wish to go on hurting you.” This time my dentist gave my antibiotics that I’m not supposed to drink alcohol with. I’m pretty sure I know how Kirk felt about Khan at that moment. I think my dentist might be into my “utter destruction” too. It’s just a feeling I have.
When people ask me what my favourite film of all time is, I often say this one. The best sequel ever, I’ve watched it 1,000s of times (poetic licence okay) and can probably quote most of the dialogue, but I still love watching it again. And I’m probably about to gush a load of insufferable, embarrassing and slightly degrading stuff about it and how it’s affected my life, but I don’t care. If this movie hadn’t become the success it was, it’s quite likely there’d have been no more Star Trek and basically life as we all know it would be futile and virtually meaningless. Star Trek gives us meaning and purpose, and this film is probably as close as any of us will get to perfection. From the awesome first scene, where most of the regular crew appear to get killed, until the final one where someone really does, it’s just one, long, cinematic orgasm. It’s the sort of film the Borg would enjoy in its search for perfection. The fact that it was revisited for “Star Trek: Into Darkness” (which was also an amazing movie) just goes to prove how good it really is. It’s got a great villain and a great (if slightly clumsy looking) space battle in it too. Made over 30 years old, it’s theme of getting old has become more and more relevant to me with each viewing, as they characters in it haven’t aged a bit but I have; I guess it wasn’t such a big deal when it was first released when I was 19. I use so, so many out of context quotes from this film in my day-to-day life. Indeed, I think I’ve probably arranged my life to better fit the film, entirely for this purpose. So, for example, when I drive about in my car I secretly, (or not so secretly if I’ve got a passenger with me who I don’t feel will think I’ve lost it), when I go from one area to another, ‘borrow’ from Sulu’s words during the Kobayashi Maru scene and say something a bit like, “exiting the Berkshire sector, for the Hampshire sector”. (Yes, I really do that; in fact it’s become such a habit that I have to actively stop myself doing it if I don’t want to weird anyone out too much.) When I do my budget forecasts at work I often think that I’m facing my very own Kobayashi Maru test and then find myself quoting Sulu again, “We’re not going to make it, are we?” In fact my whole life is a “no win scenario”. And as someone who used to do something quite similar to “exploring strange new worlds” and “galloping around the cosmos”, but is now stuck behind a desk delivering the occasional bit of training, I can totally relate to Kirk when he says the latter “is a game for the young”. If it didn’t mean I had to go outside when it was cold and wet, I’d follow McCoy’s advice; “Get back your command. Get it back before you really do grow old.” Sadly I’ve never had anyone say anything like “Commanding a starship is your first, best destiny; anything else is a waste of material” to me. I guess that means I was as rubbish at what I used to do as what I do now. Shame really. I guess I’ll have to steal one of our minibuses from work, go back in time and save the Dodo or something like that; which seems strangely apt. (But that’s another tale for another Star Trek film.) And the list goes on and on. Sad, isn’t it? And as for the overall story arc of starting the day with a routine bit of work and ending it literally saving the universe from an evil genius with a terrifying weapon; well, that’s not as unusual for me as it might seem.
Is there’s a bigger gap anywhere between a great film and a diabolically bad trailer? I don’t think so. OMG, it’s bad! (Note for young people: That’s “bad” as in actually bad, not “bad” as in wicked, sick, hot, etc.)
Not only is this film almost perfect, it’s also got an amazing soundtrack; I even bought it on CD and I hardly ever do that. There’s a bit of music which is used when the Enterprise is first seen in dry dock just prior to launch. Whenever I’ve start anything epic in my life (which is exceedingly rare), or driven a new vehicle for the first time (also exceedingly rare), that bit of music is my soundtrack to the event. Imagine the lights coming on, the music booming out and try it yourself, it really works! (Incidentally, I’ve never really understood why Kirk looks so uncomfortable in this scene. Whatever Saavik says or does, it’s Sulu that’s actually ‘driving’, so I can’t imagine for a moment he’s just going to go ahead and crash into something if she makes a mistake.)
Recommended for everyone. Seriously, if you don’t like this film you really need to go see a doctor.
No cats, chainsaws of decapitations.
Top badass moment? Can I say the whole film? I guess not, so I’m going to select Kirk’s reprogramming the Kobayashi Maru test so he could beat it. Is that not the ultimate in thinking outside the box? (You could set up an entire and very lucrative, senior management training programme around that one.) It’s just a shame it’s not possible to do it to real-life. I’d have my Aston Martin by now if it was. It’s still totally badass though.
Star Trek 2: The Wrath of Khan at IMDB (7.8 / 10)
Star Trek 2: The Wrath of Khan at Wikipedia
Star Trek 2: The Wrath of Khan at Roger Ebert (3.0/4.0)
Star Trek 2: The Wrath of Khan trailer at You Tube (the original one)
Star Trek 2: The Wrath of Khan trailer at You Tube (a better one)
Eight candidates face the interview from hell. Led into a windowless concrete bunker they are given eighty minutes to answer one simple question. A question that will take each candidate to the very edge… and beyond, as they are forced to confront their deepest, darkest, most violent fears. This nerve shredding thrill ride features a cast that includes Colin Salmon (“AvP”, “Die Another Day”), Jimi Mistry (“2012”), and Luke Mably (“28 Days Later”). Do you have what it takes to sit the “Exam”?
2010 – Certificate: 15 – UK
Rating Details: Strong language and one scene of torture
8.5 out of 10
About once a week I travel by train in the evening between Reading and London. I use First Great (delusions of grandeur) Western’s non-stop service to/from London Paddington; takes about half an hour, there’s hardly ever a seat and it’s always cold. When I come back afterwards, if I’m lucky, I get the chance to travel on one of its stopping services, which are much the same except they take nearer an hour, are colder and even more crowded. It’s public transport for cattle, but it’s fast, (well except the stopping service). Yesterday I went to see the awesome Random Hand at the Borderline in central London. (An evening that included the observation by Robin the singer, that one side of the Wall of Death looked ready for action and the other like the end of a stag do; which I have to say was profoundly accurate.) So I got to Reading Station, only to discover that the whole line into Paddington is closed over Easter, while Railtrack plays ‘train sets’ with it. Three rail replacement bus services were being offered instead; noooooooooo! However, Reading isn’t a transport ‘node’ for nothing. Hidden away in the corner on the new platforms is the South West Trains direct service to London Waterloo. I never take it, as it stops 16 times and dumps you in south London 82 minutes later. (In fact under normal circumstances, it would actually be quicker to get the Paddington train and then travel on the Underground across London to Waterloo.) Putting my best Indiana Jones foot forward I decided to chance it and test out this hitherto, unexplored world. I can now confirm that it does officially ‘take forever’ to reach London this way. However, there was hardly anyone on the train (in either direction) and the carriages (which are pretty new) were actually quite warm. It all felt quite civilised, rather like I image the Orient Express to be, minus the “Express” and “Orient” bits; and probably most of the rest too. But all in all, it passed the test. This movie is about a test too.
I hate exams. Other people seem to breeze through them but I hate them. This probably has something to do with my being very stupid and not knowing anything, although I used to blame it on the injustices of a system that rewards people with large, page-filling handwriting. With this in mind it’s hard for me not to consider this film a horror, by it’s really a thriller. There are a few plot holes and other inconsistencies, but it’s otherwise a great study of a group of highly motivated people, who allow themselves to get spooked by stress and the environment they’re in. I remember being on a ‘Training the Trainer’ training course many years ago and for some reason when all the shutters on the windows of the room we were in were closed, it had a similar effect. This is an excellent film, made almost entirely in one room. “Resilience is a key attribute in these dark times and if you can’t survive our selection process you won’t survive in the job.” I must remember that for the next time I interview anyone at work, to put the candidates at their ease.
For a nice change this isn’t a film that’s a marketing exercise for a CD of tunes by loads of boring bands who have 15 second clips of their songs in it, who are also all strangely on a record label owned by the same company as the film. This movie has a soundtrack that you won’t remember, but if it was taken away you’d notice. It’s nicely done, tension-building stuff. The one exception to this ‘invisibility’ is the song that part of sounds exactly like the beginning of “Twilight of the Innocents” by Ash.
Recommended for anyone who‘s involved in setting exams, interviewing or just likes to mess with peoples’ heads.
No cats, chainsaws or decapitations.
Top badass moment? The Invigilator walks into the room, gives out the instructions for the exam to a group of highly qualified people and then leaves. That’s badass. I wish I could be that cool and self-assured. If it was me, I’d have forgotten some of what I was meant to say, made some not funny comments, confused everyone and then left.