There’s horror in the halls… lynching in the lunchroom… murder in the metal shop. Welcome to “Slaughter High”, where the students are dying to get out! In high school, Marty was the kid all the students teased, taunted and tortured mercilessly. One day, things went too far; one of their jokes backfired, disfiguring Marty for life. Now, five years later, Marty has arranged a special reunion for all his high school “friends.” The prom queen, the jock, the class clown, the rebel and a few select others have been invited… and it’s going to be a gala of gore!
1986 – Certificate: Unrated – American Film
7.0 out of 10
I’m crap at everything. However, I try very hard and surround myself with more able and talented people, which in some limited cases enables me to function in society without everyone pointing in my direction, or crossing the road when they see me coming. Yesterday was a good case in point. I spent all of it trying to complete a quotation (that a colleague had already done most of the work for), in response to a competitive tender document for a project to help set up a new community group, to care for the areas along the line of an old railway. It didn’t really come with any sort of structure for what it was asking for, which means trying to do it was like trying to play a game that no one’s explained the rules to me about. All that choice! Vegans don’t deal with choice well; it’s typically the green salad, or chips, or nothing for us. At about half past four I found myself staring at the words on the screen, able to read and understand them, but totally unable to work out what they meant, or how one string of them (a thing we call a sentence) related to any other. Talk about not being able to see the wood for the trees. Somehow I managed to complete about 98% of it, although when I proof-read it this morning most made less sense than a wall covered in a bucket full of scrabble letters and monkey sick. There was one little bit that I had to complete by hand and I swear it looks like a six-year-old did it. I don’t think I can write anymore; I used to have lovely handwriting too. Sometimes I feel like life is teasing me for a laugh. One day I’ll react like Marty in this film….
Oh dear, it’s the uncut version of a ‘forgotten classic’. To be fair it’s probably not that obscure and it’s probably not that bad either. It’s not boring anyway. Here we have a group of young adults who behave in an almost entirely irrational way, an isolated location, a seriously pissed off guy harbouring a grudge… and you know the rest. The murders are a mixed bag; I guess my favourite was the electric shock during sex, although the lawnmower one isn’t too bad either. Did I like Marty the vengeful killer? Well he was/is a dork, but clearly after his injury the law failed to provide him with the justice he genuinely did deserve, so in a way I can’t blame him for taking things into his own hands. The guy had probably had a very successful and exciting career ahead of him too. Actually, the more I think about it the more I realise that he really is the victim here. The fact that the group that bullied him didn’t even seem to have any remorse for what they did, even though the outcome probably was an accident and unintended, just makes things worse. What a nasty set of individuals. Awful. I’m glad they’re all dead now. And another thing, the level of health & safety in the school’s science lab was woeful. Seriously, no one would store a really large, glass bottle of nitric acid on top of a narrow, wobbly, free-standing shelf unit that itself is sitting on top of a table in the middle of a room, not even in the 80s. And the bottle wasn’t labelled properly either. And where were Marty’s gloves and protective goggles? He didn’t strike me as the sort of guy who wouldn’t wear them because he didn’t look cool. Then again, he does appear to take the time to take his Doddsville County High School jacket off in the middle of his science experiment starting to blow up all around him, so I guess his appearance did matter a lot to him, which probably explains why he got so worked up about being hideously burnt. For that matter, why wasn’t he being supervised? I know the school only appeared to have one teacher, who worked in the gym, but even so. I know, I’m probably over analysing things. Despite its intentions, the most offensive thing in the whole movie was the dreadfully racist scene involving the Black caretaker. I image this is one of Jeremy Clarkson’s favourite movies.
Musically we’re deep into 80s low-budget territory. Yes, very deep.
The trailer isn’t so bad, although it does manage to give away the entire plot and partly show a number of the murders too. Then again, the plot isn’t exactly an original and you don’t get to see all of the murders.
No cats, chainsaws or decapitations. Surprisingly.
Top badass moment? No one likes a bully. And we like groups of bullies even less. So it’s high-fives all round for Marty, as he slowly dispatches them all one by one. Also, given the speed at which he appears to be able to get from place to place at around the school, he’s apparently invented some sort of personal teleportation device too. That’s seriously badass; or just dreadful editing.
“Mum & Dad”, the impressive debut by writer-director Steven Sheil, is one of the most disturbing Brit-shockers to emerge in recent years. When Lena, a young Polish immigrant working as an office cleaner at Heathrow Airport, misses her last bus home, she accepts an offer of help from friendly co-worker Birdie, who lives nearby with her ‘adoptive’ parents. Knocked unconscious after arriving at the house, Lena soon finds herself imprisoned in a suburban house of horrors, a living nightmare of abuse, torture and murder. Designated a ‘Mummy’s Girl’, Lena’s only options appear to be to become part of the family – and join Mum & Dad in their insanity – or die.
2008 – Certificate 18 – British Film
Strong bloody violence, torture, terrorisation and sex references
7.5 out of 10
I’ve been a pretty lucky bloke over the past few months. I’ve been to Mexico, Bavaria in Germany, the mountains of Colombia, hung out with a rock ‘n’ roll band and met the Devil, flown around Los Angeles with a superhero, gone into space and met an alien (The Alien actually), been hassled by Japanese zombies that live in a toilet; yes, life’s been pretty interesting. Of course I’ve not left my living room either, because that would mean, well, going out, making an effort and mixing with other people. However, I’ve enjoyed these experiences through the films I’ve watched. A much safer, easier, cheaper and more convenient alternative I’m sure you’ll agree. I’ve never understood the urge some people have “to travel”. It sounds like my worst nightmare; a commute that never ends, surrounded by people who don’t speak English and will probably kill or rob you given half a chance; wildlife that will sting you to death or eat you; constantly sick from the weird, contaminated food you’ll be forced to eat; and a rate of exchange that you won’t understand and before you know it you’ll have spent all your money on a can of Coke. Even if you manage to survive all that lot, you’ll end up in prison forever, being buggered by a half human – half religious fanatic, all because you broke some local law you never knew existed, by making what you thought was a friendly gesture to someone. That’s what “going travelling” really means. However, not wanting to miss out on all the fun it offers and on my return the chance to entertain everyone with my stories and deep understanding of how people in other places live their lives, I’ve decided to start plotting all my travel adventures on a map. This will hopefully provide me with a constantly evolving picture of where I’ve been, complete with the odd photo and comment. I look forward to boring sharing this with the world! In a kind of appropriate way, this film takes place near Heathrow Airport in London, which will be the starting point for my global trek.
This is a decent, violent, low-budget horror that has the advantage of being set in a suburban house near Heathrow Airport. It features some pretty normal looking people with normal jobs and an assortment of syringes and basic DIY tools; very British. It’s a refreshing alternative to the endless American versions that tend to take place in the back of beyond and involve some in-bred weirdos having endless bad hair days and an impressive collection of power tools. “Mum & Dad” boasts plenty of realistic looking gore and a cast of suitably deranged characters. Dad is especially freaky. It’s particularly impressive when it subverts normal family life; (for example, instead of breakfast TV on in the background over a typical breakfast, this family has hardcore porn on the telly). Some of the justification used for Lena’s treatment is pretty scary too. The late addition of a couple of extra residents in the house tends to slightly dilute the story a bit, even as it ups the yukiness score. And if I thought about things too hard I started to wonder “why didn’t she just do” this, that or the other to escape, but other than that it’s a solid horror. The scene with the wooden mallet is particularly effective. It’s good to see that my lottery ticket money is being put to such good use. It’s also a film that explains where all that lost luggage at airports end up.
There a limited amount of music used in this movie, other than the big Christmas Day scene, where it rather cleverly makes the likes of “Silent Night” etc rather creepy.
The trailer’s a fair enough representation of the film.
Recommended for cleaners, airport baggage handlers and Polish immigrants.
1 decapitation, no cats or chainsaws.
Top badass moment? Lena looks pretty miserable for most of the movie, as well she might given the circumstances. However, she never really gives up trying to get away, despite all the unpleasantness. That’s badass. Having said that, she was being offered free accommodation. A room in a decent house in the Heathrow area has got to be worth £400 / month and for all they knew, she could have been an axe murderer or something. To be honest, it makes her seem a bit ungrateful.
Internationally acclaimed by critics and audiences alike, Steven Spielberg’s “Saving Private Ryan” is an unforgettable film achievement that has had profound and lasting impact throughout the world. Winner of five Academy Awards, including Best Director, the film also captured Oscars for Cinematography, Film Editing, Sound and Sound Effects Editing. Saving Private Ryan was the top-grossing motion picture of 1998. Seen through the eyes of a squad of American soldiers, the story begins with World War II’s historic D-Day invasion, then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan, whose three brothers have been killed in combat. Faced with impossible odds, the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war, each man searches for his own answer – and the strength to triumph over an uncertain future with honour, decency and courage.
1998 – Certificate:15 – American Film
9.0 out of 10
The Internet is awash with every possible analysis of this film. So, let me just start by summarising its real plot. Tom Hanks gets given a job to do with his team. They have a few concerns and questions as to the point of what they’re asked to do. The end. Well, big deal. Welcome to the modern world of employment gentleman. I find myself in that situation a lot in my job, that’s just how it is. It’s true, I’m not likely to kill many people or get killed if it all goes a bit pear-shaped, but as someone who’s employed to save the planet, it can get a bit onerous at times. So here’s some advice for you Tom. “You really need to visualise the big picture and stop looking at the details. We’re all One Team and we’re all in this together, so stop giving bandwidth to our value chain and metrics that doesn’t concern you. Just be happy to be a small piece in a big jigsaw and relentlessly concentrate on fitting yourself into the right place at the right time, for the greater good. It’s other people’s challenge to sort out those sorts of mission critical, strategic goals, so you don’t need to quantify the methodology yourself. Let them drill down, do the blue-sky thinking, and deal with the structural underpinning. You’re good at what you do, so leverage your core competencies to provide locally focused, robustly broad-based solutions, as we incentivise our external stakeholders to strongly buy-in to our USP. As a matrix organisation, your knowledge and experience as one of our best product evangelists and of interacting with a wide range of partners at a delivery level, is vital. We know we can trust you to provide a flexible approach, as we move forward and in the current period harvest the low-hanging fruit. Tom, it’s just a different way of working. Allowing well-qualified colleagues to take the burden of decision-making away from you, should leave you time-enriched and in better shape to play your part, as well as provide you with a more focused environment in which to do so. You don’t need to worry Tom, we’ve got everything covered for you, but I wanted to give you the heads-up on this. However, if you have any other difficulties in living our values, let’s touch base offline and share a thought-shower; my office door is always open.” As an unambitious nobody, it works for me.
This film is the 37th best ever movie, according to IMDB. That’s pretty impressive. Whilst I admire Steven Spielberg’s work, I sometimes find it makes me feel a bit queasy, as if I’ve eaten too many yummy sweets. However, “Saving Private Ryan” is one of the good ones. The battle scene at the start is 27 minutes of real movie magic and there are plenty of other parts that come pretty close to this too. It’s essential viewing. War is truly the biggest obscenity of all.
With a full orchestral score, music is used sparingly but effectively. I think you can buy it on CD if you’re desperate enough.
No cats, chainsaws or decapitations.
Recommended for soldiers, politicians and middle managers.
Top badass moment? Take your pick, there’s plenty of choice.
Sean Veil (Lee Evans) is an ultra-paranoid murder suspect who films himself around the clock to provide an alibi, in case he’s ever accused of another crime. When the police come calling to investigate a new murder, the one tape that can prove his innocence has mysteriously disappeared. Past and present collide as Sean strives to prove his innocence of this and all the other crimes that have been laid at his door. But the accusations and the tension mount and just when Sean thinks it’s all over, an unexpected twist finds him fighting for his life…
2004 – Certificate: 15 – UK/Irish Film
Rating Details: Strong violence and language
8.0 out of 10
A couple of months ago I started walking into work again, rather than driving. Regularly walking the 2.4 miles each way has turned me into a hyper-fit super-being, but it’s not without its drawbacks. Today I’d like to briefly consider the concept of Pavement Wars. My journey includes a significant section along the Oxford Road in west Reading, where I find myself walking ‘against the tide’, as most people are going in the other direction and into town. I’m used to the barbaric anarchy of rush-hour on the Tube, where a fallen body is considered nothing more than an annoying trip hazard; but I thought out on the open road (well pavement) of the Home Counties, things would be a little different. I thought people would lift their hats in polite greetings as they passed one another, whilst exchanging a few words of small talk, about the weather or cricket scores perhaps? Sadly it’s more like a pedestrianised version of Carmageddon, with the sort of manoeuvring that would lose a driver his or her license in a moment. Seriously, it’s like a war zone out there and I’m not winning. I’ve lost count of the number of time I’ve been forced into walls, bollards and the road, in an effort not to get mowed down by others’ irresponsible walking. But this guy is fighting back! Last Thursday, my path was blocked by two women coming in the other direction. Any decent human being, when walking next to a friend, would make sure they got out of the way if someone was coming in the opposite direction and the two of them were totally occupying the path. But not these two. And they both saw me coming along, I’m quite sure of that. Did they expect me to step out into the road to let them pass, even though I had my back to the traffic? Was I the innocent victim of bitchy office politics, which meant nether of them wanted to walk behind the other, in case this more submissive stance might have some bearing on an inter-departmental power-struggle? Perhaps my “Do You Like Waffles?” t-shirt wasn’t scary enough? Or were they just inconsiderate, stupid, thoughtless, brain-dead bimbos? Who knows? Whatever, this time there was going to be no hanging about waiting between the bollards for them to pass. I braced myself for the inevitable impact, which happened just about here. As we passed my arm briefly collided with the tall blonde’s. I suppose with hindsight it was probably the most exciting sexual caress she’s had for ages, but to me it meant only one thing; at last, I was a true Pavement Warrior! No longer will I cower in shop entrances, between bollards, behind bins or pavement furniture. Reading take note; there’s a new kid on the block, a new kid who’s no longer gonna be pushed around by people who think the sidewalk owes them a living. I’m ready for war. Are they? Given all that, it’s a shame I’m not about to consider a viewing of “Mad Max”.
In a thriller with more twists than a shop full of Curly Wurly bars (or an avenue of Corkscrew Willow if you prefer), comedian Lee Evans convincingly portrays a paranoid and socially inept guy (Sean) who films his every waking (and sleeping) moment. Fortunately, we’re spared most of the more ‘intimate’ moments of his life, but it does make for an original and interesting, although somewhat convoluted movie. I’m a bit stupid so I’m pretty sure I didn’t manage to follow everything, but it was still a really good watch; (despite the overuse of blue filters and a tiny, non-anamorphic 2.35:1 picture). So this probably means it’ll be a good watch next time too, as I still won’t know what’s going on; being an idiot does have its advantages. I did feel sorry for Sean; putting up with dodgy TV reporters, useless and greedy psychologists, a whole population that thought he was a triple murderer and cops that ‘cross the line’, is enough to send anyone a bit round the bend. The amount of plot twists in the last ten minutes are likely to send most viewers a bit round the bend too. His ‘underground house’ was interesting though.
The soundtrack is exactly that. There’re no dumb pop records put into the film to enable some sort of “as featured in” soundtrack to be released. It’s just decent music added into scenes to make them better in that way that only music can.
Recommended for police detectives, the paranoid, the tabloid press, everyone who hates CCTV and any innocents who’ve ever been accused of murder.
No cats, chainsaws or decapitation.
Top badass moment? In a film full of twists and turns, the fact that Sean managed to keep himself together enough to do what he needed to do, qualifies as badass.
The feature debut of Lindy Heymann is a clever comment on modern celebrity culture. Nicole (Kerrie Hayes) a Liverpudlian teenager, spends her time hanging around the gates of Anfield and the Liverpool training ground, desperate for a glimpse of her idol, the star footballer Lee Cassidy (Jamie Doyle). There she meets aspirant WAG Jasmine (played by Nichola Burley from “StreetDance 3D”), instantly. They trawl the city and its nightspots, fantasising about a time when they might have Lee for themselves, yet when the news breaks that the footballer is a transfer target for Real Madrid, they take drastic action to prevent him leaving… Stand-out performances from the two lead actresses make this energetic, funny and tense film one of the best UK debuts of recent years.
2009 – Certificate: 15 – British Film
Rating Details: Strong language, sex and injury detail
8.5 out of 10
I’ve just drunk two big mugs of really strong coffee with Kahlúa poured into it. I’ve not had anything to eat for nearly 24 hours, (yes I’m still on my stupid ‘eat every other day’ diet), so I expect it’s about to have some sort of weird physical, emotional and mental effect on me. I’m about to experience the outer limits of human perceptions and experiences… There’s something weird about this film too.
It’s a really bizarre feeling when you see someone who really reminds you of someone else. You know it’s not the same person, yet you have a natural tendency to react to them as if it is. You can’t help it, it just happens. It’s futile to resist, as you’re trying to logically reason your way out of a whole lifetime of experience and memories, many of which you’ve subconsciously distorted over time to better fit your needs. (I’ve no doubt this is what’s behind the many incidences of random people coming up to me in the street and calling me names; or maybe that’s just how I am?) Kerrie Hayes (the blonde woman in the trailer) really, really, really reminds me of someone I knew years ago when she was a similar age; in fact we’re still close. (By “close” I mean we see each other three or four times a year, which for someone with a social circle as meagre as mine, makes us virtually Siamese twins.) They share the same mannerisms, the same look, the same intensity. It made watching this film probably a more unique experience for me than normal. This is a great movie. It takes a while to get going and the ending is a bit (and I’m using that word again, it must be the coffee) weird. You probably need to get drunk in ‘real time’ along with the characters, to get the most out of the latter part and to make their behaviour make sense. The two lead actresses in it are excellent and I love the whole look and feel of the film, depressing though it is. It’s basically a movie about a friendship between two young women, celebrity culture and living with this ‘illness’. Definitely recommended. I imagine if it isn’t already, obsessing over celebrities probably does has a medical name. The clinical test to determine if you suffer from it being that you can watch a new series of “Celebrity Big Brother” or “I’m a Celebrity, Get Me Out of Here” and recognise over 25% of the ‘celebrities’ in it. I’m pleased to say I’d struggle to recognise more than a couple. So basically what I’m saying is that the media has created a new disease for everyone to suffer from and deliberately spreads the ‘virus’ around in the form of gossip mags, Internet rubbish and fake newspaper stories, in the hope of infecting more people. What sort of sick bastards are they? Well it’s certainly crossed one of my red lines, so it’s just as well for them that I’m not World President Obama, or they’d be some serious consideration going on, relating to the arming of freedom fighters like myself with big pairs of scissors, so we can go into shops selling this rubbish and cut it all up into small pieces. Watch out News UK, we know who you are… even if you have just changed your name out of shame.
The soundtrack is all, slightly atmosphere indie rock. The individual tunes weren’t that exciting, but they surprisingly all hang together pretty well and nicely enhance the impact of the scenes they’re used in. They’re a really good fit into the overall feel of the film.
Recommended for bored teenagers, journalists who write about Kim Kardashian’s baby and professional footballers.
No cats, chainsaws or decapitations.
Top badass moment? There’s frequently a dearth of badass in movies like this. It’s all people with no real hope, no belief and no future. This one is no exception. So I guess the best I can come up with is the friendship that develops between the two main characters, Nicole and Jasmine. In a film about the shallowness of celebrity, it’s the one really meaningful thing in it.
The Satanic Sluts are an all female collective (similar to the Suicide Girls), numbering up to 666 of the world’s most sexual, attitudinal, confrontational, creative and challenging women that have ever chosen to walk down the left-hand path. In this exclusive and unique DVD six members of The Satanic sluts have bared their corrupt souls for your delectation and their dubious pleasure. Featuring real bloodletting, Japanese rope bondage, whippings and satanic crucifixions, through to fantasized sequences involving torture, medical experiments and vampirism. Watching this DVD will be akin to having your eyeballs licked – prepare to go blind!
2008 – Certificate: 18 – UK Film
Rating Details: Very strong language, nudity, bloody gore and fetish
3.0 out of 10
I’ve always quite liked scented things for rooms. I’m not talking about those dreadful air freshener sprays that appear to be a close relation of tear gas; or them plug-in abominations, whose mere existence confirms the inevitability of environmental Armageddon. No, I’m talking about things like incense and oil burners. A couple of years ago, two friends came to stay with me and gave me a gift of some piñon pine incense cones. They were lovely, but sadly they ran out ages ago; (the cones, not the friends). I hunted around on the Internet looking for a supplier, but they were all in America and the idea of paying zillions for shipping wasn’t that appealing. All I could find closer to home were piñon incense sticks, which just weren’t the same. However, I finally came access a cone supplier on eBay a month or two ago, based in the UK. My flat now smells like an open wood fire in New Mexico. Apparently it also repels mosquitoes. The only smells likely to emanate from this film are rubber, latex and leather.
Just for a moment, think about your favourite, male, movie action-hero. Okay, now imagine him in a tough spot; his gun’s out of ammo, he’s securely tied up with the film’s beautiful heroine and they’ve only got five minutes before the nuclear bomb they’re sitting on explodes, killing millions of innocents in Los Angeles. He might say something along the lines of, “this is bad… really bad”. Now, forget about the bomb and stuff and plonk that same action-hero in front of a TV and make him watch this film for a bit. Spot the difference in the dialogue? No, I can’t either. Part drama and part documentary, this movie is made up of a series of quite random short scenes and interviews with some of the ‘cast’. It’s probably supposed to provide an insight into an alternative lifestyle, whilst exciting the parts other films can’t reach. Well it did neither and it all felt strangely old-fashioned to me too. I’ve never quite understood the appeal of all that gothic, dominatrix in leather stuff; I suppose that comes of being vegan. I did find myself wondering at one point how hot it must get wearing all that latex. I use to have a pair of PVC trousers in my more flamboyant days and they used to really warm up if the sun got on them; they were good in wet weather though. I can only imagine the 170 seconds of footage that the BBFC insisted were cut from the film to enable it to gain an 18 certificate, must have all the plot and ‘good stuff’ in them. Yes, the compulsory cuts that were required to remove the “unsimulated sight of restrained woman’s arm being cut with a scalpel” must be where it all is. I guess the sight of someone having needles pushed into various parts of her face is okay though, it was probably just something to do with acupuncture that I’ve misinterpreted. And as I never open the security grills on the windows in my office at work, the stuff with the cages didn’t seem that big a deal to me. However, the scariest thing about this film is that it’s the first part of a trilogy. That will give me sleepless nights.
I’m not sure what sort of music soundtrack this film had. Industrial techno? Who knows? Anyway, it wasn’t very good.
Recommended for acupuncturists, nuns, birds in leather and nurses.
No cats, chainsaws or decapitations. However, one of the ‘stars’ calls herself Chelsea Chainsaw. I hope she has the proper ‘industry tickets’ for that name, at least CS30 and hopefully CS31 too.
Top badass moment? Someone has lots of needles pushed into her face, for the entertainment of others. It’s not made entirely clear what she gets out of it, but whatever, that’s kind of badass. I might give it a miss myself; there’re some reruns of “Bargain Hunt” with David Dickinson I’m keen to catch up with this weekend.
In a post-apocalyptic, nuclear-scarred future, the world has become a radioactive, neon drenched, industrial wasteland, populated by the disenfranchised and the demented. Amidst the dust and decay of a poisoned landscape, a Zone Tripper manages to salvage a disembodied robotic head. But what is initially mistaken for discarded techno trash is in fact the mechanical remains of the M.A.R.K. 13, a merciless killing machine programmed to activate, exhilarate and exterminate. After ending up in the isolated apartment of an introverted artist, the M.A.R.K. 13 re-assembles itself for an eye-gouging, chainsaw-wielding, body-drilling, skull-crushing rampage, where no flesh shall be spared. Directed by Richard Stanley (“Dust Devil”), “Hardware” features a face pounding soundtrack and appearances from rock legends Iggy Pop, Motörhead’s Lemmy and Fields Of The Nephilim’s Carl McCoy. Available for the first time as a Special Edition, “Hardware” remains a highly original, mind-melding, Cyberpunk, horror/sci-fi cult classic. So plug-in, turn on, download and prepare to have your inner circuits pulled out and re-wired.
1990 – Certificate 18 – British Film
Rating Details: Strong bloody violence and sex
5.0 out of 10
I had a water meter fitted yesterday. When I went to make a cup of tea afterwards I got soaked by a sudden explosion of water out of the tap, as the supply sorted itself out in the pipes. Nice. I currently pay about £330 a year for water rates, so I’ve convinced myself that by having a meter fitted, after just a few months I’ll have saved enough money to retire and go on that round-the-world cruise I’m always promising myself. (Well I know the maths doesn’t really add up and I’d probably get bored after about five minutes on a cruise, but it’s the principle I’m trying to establish here.) Who’d have thought that saving the planet could be so profitable? I wonder how long you can go for and not flush a toilet? A week? Well it works for washing up… In this film, water seems to be in pretty short supply; they should all have got meters fitted.
It’s the future, after some unspecified nuclear incident has taken place. We join a guy who’s collecting junk in a desert. This guy then sells some of the items he’s found in the sand, which include a bust-up robotic head, to a chap called Mo. Mo, who’s obviously a true romantic, takes it to his girlfriend’s place in the city for her as a Christmas present. Despite the fact that Jill’s more than a bit pissed off with him for being away so long, his gift has the desired effect (if you know what I mean). She’s a sculptor, so she decides to put it into something she’s working on. Unbeknownst to them, the head was part of a secret government war-bot programme. Oh dear, it comes back to life and rebuilds itself from common household appliances; (I hate it when that happens, it really interferes with your day and the cost of replacing everything afterwards can be quite considerable). It then starts killing people; although luckily it never really gets out of her flat. Truth be told, this is a pretty crappy film. It has a few interesting cameos, such as Iggy Pop as a radio DJ and Lemmy as a taxi-driver, plus some interesting musical choices, but most of the time it’s too dark or orange, or both, to make watching what’s going on a rewarding experience. Even on Blu-ray it was still a murky mess. One random sub-plot revolves around a pervy neighbour, who spies on Jill with a telescope whilst he ‘enjoys’ himself. Unfortunately, we never really get to see what he finds so inspiring, thanks to the Anadin-sponsored visuals. If ever there was a bad advert for sun beds, this film is it; there’s more orange about than in an episode of “Bargain Hunt” with David Dickinson. The times I found myself thinking, “Jill, put the bloody light on, for God’s sake”)… For all the time I spent in her apartment, I never managed to gain any sort of understanding as to its layout. How hard can it be to find a large robot in a flat? It’s not all bad by any means and it does have some interesting elements, but overall they just don’t overcome the ‘over-stylish’ look of the film.
One of this movie’s saving graces is its soundtrack. From traditional American folk to Public Image Ltd. we get a range of music that does its best to make up for what we can (or more accurately can’t) see. “This is what you want, this is what you get.” I don’t think so.
Recommend for people who like cult sci-fi. And it is a British, low-budget sci-fi film from 1990; can you even name another?
No cats or decapitations, plus one ‘built-in’ chainsaw. Someone does get sliced in two though, by a front door closing on him. (I don’t think you’d get one that tough from B&Q.)
Top Badass moment? To be honest she had the chance to get away on more than one occasion, but no one likes their place to get trashed by strangers. Reluctant hero maybe, but Jill’s defence of her home is most definitely badass. Not many people manage to really break a baseball bat over anyone’s (or anything’s) head. I hope her insurers will take all this into account when they come around to assess her claim. I wouldn’t want to be a Jehovah Witnesses in her neighbourhood.
“The Waiting Room” is the beautiful, feature debut of Academy-Award nominated writer/director Roger Golby. The sterling cast give ‘top-notch performances’ in their portrayal of two strangers – Anna (Anne-Marie Duff) and Stephen (Ralf Little) – who are brought together by chance as they sit together in a deserted waiting room. Here they make a brief but powerful connection, forgetting their individual lives for an isolated moment in time. As Stephen and Anna’s lives move onwards, they find themselves thinking more and more of the stranger they met in the waiting room – and what would happen should they meet again. This highly acclaimed and deeply moving film presents a fresh, edgy and totally romantic view of contemporary life and love in London.
2008 – Certificate: 15 – British Film
Rating Details: One strong sex scene and strong language
8.5 out of 10
On my way home from work two days ago I did a bit of food shopping. A sudden impulse buy was a bottle of brown sauce. I can’t remember the last time I bought any, but it must have been years ago. If I’d had any sense I’d have bought some decent stuff, like HP. Instead, I bought some cheap, Happy Shopper Brown Sauce. It tasted sort of okay, but it contains about a tonne of salt per gram. (No, I don’t know how that’s possible either; I guess it’s this sort of ‘new physics’ that makes the experiments being done with the Large Hadron Collider so exciting.) Using it gave me a sore throat and I could feel my arteries bulging as if they were about to explode, thanks to my suddenly elevated blood pressure. All in all it’s pretty toxic stuff. I can only imagine that a large-scale deployment of Happy Shopper Brown Sauce would probably cross someone’s “red line” somewhere or other… I’m glad I only have the one bottle. I’ve not checked frame by frame, but I’m not aware that this film contains any brown sauce, or sauce of any colour for that matter. If anyone spots any do let me know.
I can’t understand why this film isn’t better known. It’s set in Wandsworth, south London and features a lot of Southern Trains suburban services in it; I mean seriously, how much more cool and fashionable could it possibly get? It’s a story that revolves around three couples, their relationships and a chance meeting between two people in a waiting room at Wandsworth Common Station. This is a gentle but hugely touching film about ordinary people. Like many character-driven stories, it just sort of jumps into a period in their lives and then after a while it leaves them again, giving us a glimpse into their thoughts, feeling and actions. It has a number of scenes that provide the sort of emotional impact that all good films should and characters, though flawed, it’s still easy to sympathise with. Funny in places and intensely sad in others, at times it felt a bit too close to home for my linking, which is partly why it’s such a brilliant movie.
The soundtrack is generally restrained and unmemorable, but quietly gets on with business of extending the impact of the scenes it’s used in. A job well done.
Recommended for anyone who accepts that their life is as good as it’s ever going to get.
No cat, chainsaws or decapitation.
Top badass moment? Stephen, one of the two main characters, works in a nursing home. When my mum was in a nursing home all the care staff there seemed too overworked to really spend much time with the residents. Perhaps that’s the reality of it, but if any of them did ever have a bit of time on their hands, I’d have wanted them to be like Stephen.