Feeling that the future holds nothing close to what the past once did, Admiral James T. Kirk begins to believe that galloping around the cosmos is a game for the young. Yet on a routine inspection of the U.S.S. Enterprise, Kirk’s Starfleet career enters a new chapter as a result of his most vengeful nemesis: Khan Noonien Singh, the genetically enhanced conqueror from late 20th-century Earth. Escaping his forgotten prison, Khan sets his sights on both capturing Project Genesis, a device of god-like power, and the utter destruction of Kirk.
1982 – Certificate 12 – American Film
10.0 out of 10.0
Yesterday was Wednesday; time for another trip to the dentist. My dentist (who for some reason reminds me more and more of a vampire each time I see him), seemed in a slightly better mood this week; (I guess he must have had a good feed of virgin’s blood or something). He still didn’t want to remove my misbehaving wisdom tooth though. Instead he gave me even more antibiotics. In this film Khan says to Kirk, “I’ve done far worse than kill you, Admiral. I’ve hurt you. And I wish to go on hurting you.” This time my dentist gave my antibiotics that I’m not supposed to drink alcohol with. I’m pretty sure I know how Kirk felt about Khan at that moment. I think my dentist might be into my “utter destruction” too. It’s just a feeling I have.
When people ask me what my favourite film of all time is, I often say this one. The best sequel ever, I’ve watched it 1,000s of times (poetic licence okay) and can probably quote most of the dialogue, but I still love watching it again. And I’m probably about to gush a load of insufferable, embarrassing and slightly degrading stuff about it and how it’s affected my life, but I don’t care. If this movie hadn’t become the success it was, it’s quite likely there’d have been no more Star Trek and basically life as we all know it would be futile and virtually meaningless. Star Trek gives us meaning and purpose, and this film is probably as close as any of us will get to perfection. From the awesome first scene, where most of the regular crew appear to get killed, until the final one where someone really does, it’s just one, long, cinematic orgasm. It’s the sort of film the Borg would enjoy in its search for perfection. The fact that it was revisited for “Star Trek: Into Darkness” (which was also an amazing movie) just goes to prove how good it really is. It’s got a great villain and a great (if slightly clumsy looking) space battle in it too. Made over 30 years old, it’s theme of getting old has become more and more relevant to me with each viewing, as they characters in it haven’t aged a bit but I have; I guess it wasn’t such a big deal when it was first released when I was 19. I use so, so many out of context quotes from this film in my day-to-day life. Indeed, I think I’ve probably arranged my life to better fit the film, entirely for this purpose. So, for example, when I drive about in my car I secretly, (or not so secretly if I’ve got a passenger with me who I don’t feel will think I’ve lost it), when I go from one area to another, ‘borrow’ from Sulu’s words during the Kobayashi Maru scene and say something a bit like, “exiting the Berkshire sector, for the Hampshire sector”. (Yes, I really do that; in fact it’s become such a habit that I have to actively stop myself doing it if I don’t want to weird anyone out too much.) When I do my budget forecasts at work I often think that I’m facing my very own Kobayashi Maru test and then find myself quoting Sulu again, “We’re not going to make it, are we?” In fact my whole life is a “no win scenario”. And as someone who used to do something quite similar to “exploring strange new worlds” and “galloping around the cosmos”, but is now stuck behind a desk delivering the occasional bit of training, I can totally relate to Kirk when he says the latter “is a game for the young”. If it didn’t mean I had to go outside when it was cold and wet, I’d follow McCoy’s advice; “Get back your command. Get it back before you really do grow old.” Sadly I’ve never had anyone say anything like “Commanding a starship is your first, best destiny; anything else is a waste of material” to me. I guess that means I was as rubbish at what I used to do as what I do now. Shame really. I guess I’ll have to steal one of our minibuses from work, go back in time and save the Dodo or something like that; which seems strangely apt. (But that’s another tale for another Star Trek film.) And the list goes on and on. Sad, isn’t it? And as for the overall story arc of starting the day with a routine bit of work and ending it literally saving the universe from an evil genius with a terrifying weapon; well, that’s not as unusual for me as it might seem.
Is there’s a bigger gap anywhere between a great film and a diabolically bad trailer? I don’t think so. OMG, it’s bad! (Note for young people: That’s “bad” as in actually bad, not “bad” as in wicked, sick, hot, etc.)
Not only is this film almost perfect, it’s also got an amazing soundtrack; I even bought it on CD and I hardly ever do that. There’s a bit of music which is used when the Enterprise is first seen in dry dock just prior to launch. Whenever I’ve start anything epic in my life (which is exceedingly rare), or driven a new vehicle for the first time (also exceedingly rare), that bit of music is my soundtrack to the event. Imagine the lights coming on, the music booming out and try it yourself, it really works! (Incidentally, I’ve never really understood why Kirk looks so uncomfortable in this scene. Whatever Saavik says or does, it’s Sulu that’s actually ‘driving’, so I can’t imagine for a moment he’s just going to go ahead and crash into something if she makes a mistake.)
Recommended for everyone. Seriously, if you don’t like this film you really need to go see a doctor.
No cats, chainsaws of decapitations.
Top badass moment? Can I say the whole film? I guess not, so I’m going to select Kirk’s reprogramming the Kobayashi Maru test so he could beat it. Is that not the ultimate in thinking outside the box? (You could set up an entire and very lucrative, senior management training programme around that one.) It’s just a shame it’s not possible to do it to real-life. I’d have my Aston Martin by now if it was. It’s still totally badass though.
Star Trek 2: The Wrath of Khan at IMDB (7.8 / 10)
Star Trek 2: The Wrath of Khan at Wikipedia
Star Trek 2: The Wrath of Khan at Roger Ebert (3.0/4.0)
Star Trek 2: The Wrath of Khan trailer at You Tube (the original one)
Star Trek 2: The Wrath of Khan trailer at You Tube (a better one)
The greatest rock ‘n’ roll vampire comedy ever made, “Suck” stars rock royalty Alice Cooper, Iggy Pop and Henry Rollins, and brilliant performances from Moby and British screen legend Malcolm McDowell (“A Clockwork Orange”). The Winners are a struggling band desperate to make it to the top and strike a record deal. After another mediocre gig, Jennifer (Jessica Paré “Hot Tub Time Machine”) the sexy female bassist, disappears with a young vampire and returns the next morning sprouting fangs and a taste for blood. One by one each member succumbs to the dark side and leaving a trail of lifeless groupies in their wake, they soon reach the heights of success that they could only dream of as mere mortals.
2009 – Certificate: 15 – Canadian Film
Rating Details: Strong language and comic gory horror
7.5 out of 10
Yesterday I walked to work at my new office for the first time. No longer do I need to trek thousands of miles (well it felt like thousands) each day, face death as I cross the busy A4, deal with selfish pavement hogs along the Oxford Road, heroically climb ‘The Mountain’ or risk loss of sensory deprivation as I bisect the country-sized Tesco car park. My journey now takes about 15 minutes and I don’t need to set up a series of resupply depots and emergency evac protocols to enable me to take the trip. A number of other differences were apparent too. For a start, I had to battle my way through two (yes two) school runs, as I passed two primary schools. A pavement jam-packed with slow-moving mothers, toddlers in pushchairs and chaotic, hyper-active youngsters, who randomly change direction with no respect for The Rules. I’m an experienced Pavement Warrior, but this was something else. It’s only going to be a matter of time before I accidentally mow one of these tiny terrors down and end up in jail forever as a child killer. Then there were the others, a mixture of students going to the Tesco Metro (I didn’t realise any got up that early) and men and women in business suits, power-walking into the centre of Reading. On my previous journey, I’d count myself unlucky to be overtaken by even one person, but yesterday it happened twice, as I was left choking on the burning rubber left behind by the soles of two pairs of fast-moving, expensive shoes, worn by who I can only assume are relatives of Usain Bolt. Unless I’m carrying a heavy bag, being overtaken by someone is a direct challenge to my sexuality, questions my prowess in bed and lessens my status as an Alpha Male. Clearly more of a sprint than the marathon I’m used to, I’ll not be caught out next time. Game on… This film is about a group of people who make a change to how they do their job.
Sadly, this movie wasn’t so bad that I’m able to say it sucks. Nether was it some sort of unimaginatively named 70’s porn. It’s actually quite a lot of fun and does feature a number of real rock stars amongst its cast. (By the way, who originally came up with the expression “rock royalty”? It’s an unspeakably dreadful term.) The cast put in generally spirited performances and the whole thing is really quite endearing. It’s got Malcolm McDowell in it as well, as vampire hunter Eddie Van Helsing; and let’s not forget that this is the guy who killed Captain Kirk! That’s real ultra violence. And while we’re on the Star Trek theme, it’s also got Ezri Dax in it. Moby (who’s vegan and thus awesome), plays a character called Beef Bellows, lead singer of rock band The Secretaries of Steak. See, even vegans have a sense of irony. Jessica Paré, who plays bassist Jennifer, was a bit disappointing. I’m not quite sure why, but she didn’t quite pull off the vampire diva ‘thing’ that was meant to propel the band to stardom. Much more of a comedy than a horror, this movie’s a good excuse to while away 91 minutes of your life.
A film about a band needs to have good music, but unfortunately this one suffered a similar fate to so many others and features a lot of mediocre, bland, forgettable, indie rock. It’s a film about a band of vampires, but the music’s about as gothic as One Direction. The performances are pretty good though.
Recommended for rock stars, would-be rock stars and vampires (and the undead in general).
No cats, chainsaws or decapitations.
Top badass moment? Nicole de Boer has a part in this film. That’s badass.